jean simeon chardin

Jean Siméon CHARDIN: Bouquet de fleurs (1734)

Pierre Mignard (1612–1695)

 Louis of France, Grand Dauphin (son of Louis XIV and Maria Teresa of Austria),
 and his wife Maria Anna Victoria of Bavaria 
with their three sons: Louis, Petit Dauphin, Philippe (later King Felipe V of Spain)
 and Charles, Duke of Berry

La prise de Philisbourg par Monseigneur le 29 octobre 1688.

Cérémonie du mariage du duc et de la duchesse de Bourgogne, le 7 décembre 1697, à Versailles.

Par Antoine Dieu (1662-1727)

Conservé à Versailles, châteaux de Versailles et de Trianon, INV MV9177
 

Monseigneur est situé juste derrière le roi son père. Le Grand Dauphin marie ici son fils aîné. 

en savoir plus sur le Grand Dauphin, le fils de Louis XIV et le chateau de Meudon.

Lucien Freud

Girl with a white dog, 1950

Girl with roses

Self portrait entitled the painter surprised by a naked admirer

a painting of Kate Moss

Benefits Supervisor Sleeping

lac Pavin juillet 2011

Amy Winehouse Rehab

They tried to make me go to rehab, I said no, no, no
Yes I've been black and when I come back, you'll know, know, know
I ain't got the time
And if my daddy thinks I’m fine
They tried to make me go to rehab I won’t go, go, go

I’d rather be at home with Ray
I ain’t got seventy days
Cos there’s nothing,there's nothing you can teach me
That I can’t learn from Mr Hathaway

Didn’t get a lot in class
But I know it don’t come in a shot glass

They tried to make me go to rehab, I said no, no, no
Yes I've been black and when I come back, you'll know know know
I ain't got the time
And if my daddy thinks I’m fine
They tried to make me go to rehab I won’t go, go, go

The man said "why do you think you here?"
I said "I got no idea"

I’m gonna, I'm gonna lose my baby
So I always keep a bottle near
He said "I just think you’re depressed"
Kiss me, here baby and go rest

They tried to make me go to rehab I said no, no, no
Yes I've been black but when I come back,you'll know, know, know

I don’t ever want to drink again
I just, ooh just need a friend
I’m not gonna spend ten weeks
Have everyone think I’m on the mend

It’s not just my pride
It’s just till these tears have dried

They tried to make me go to rehab, I said no, no, no
Yes I've been black and when I come back, you'll know know know
I ain't got the time
And if my daddy thinks I’m fine
They tried to make me go to rehab I won’t go, go, go.

Lucien Freud 1922-2011

NAKED GIRL WITH EGG  ( link  )

1980/81

Lucien Freud 1922-2011

Lucian Freud Girl With Roses (1947/8)

 oil on canvas, 106 x 75.6 cm,

British Council Collection

Lucian Freud, Girl with a Kitten (1947) Oil on canvas 50.9 x 40.4 cm 

Lucian Freud Interior in Paddington (1951) oil on canvas, 60 x 45 in

Mahler Symphony 8 1st Movement Part1 1906-1907

Händel - The Messiah

Rostropovich - Bach Cello Suite No.1 - Allemande

Igor Stravinski - L'Oiseau de feu - 1910

ANDRÉ KERTESZ

ANDRÉ KERTESZ 2 July 1894 – 28 September 1985

Chez Mondrian, 1926

Giorgio de Chirico

Giorgio de Chirico 1888-1978

  

La récompense du devin

  

Gare Montparnasse ou la mélancolie du départ

 auto-portrait

Paul Cézanne

Paul Cézanne  1839-1906

La Montagne Sainte-Victoire  circa  1882 

Courtauld Institute of Art, Londres.

Huile sur toile

Manuel Álvarez Bravo

Manuel Álvarez Bravo 1904-2002

Manuel Alvarez Bravo, "Fruit défendu", 1977

Erbarme Dich, mein Gott,um meiner Zähren willen - Arie Nr.39 der Matthäuspassion

Elizabeth Blackadder

Black Cat, Abyssinian Cat and Tulips

Iris Oncocylus, 1996

Watercolour and pencil on paper

Francis Picabia - Sotileza -1928

Francis Picabia -  Sotileza [Subtlety]

• Gouache on paper
• Size 75.70 x 55.70 cm

• Scottish National Gallery

• This is one of Picabia's 'Transparency' paintings, in which several different images are layered on top of one another. There are three interpenetrating but distinct layers: the Spanish lady in a lace mantilla depicted in a deliberately kitsch style; an outline drawing of a matador in full costume; and a simplified representation of a Madonna, crowned in the Catalan Romanesque style. The obvious connecting link between all three figures is their Spanishness. Picabia's father was Spanish. The layering of images may be intended to provide the visual equivalent to memory and the stream of consciousness. The combination of apparently opposing styles and themes is typical of Picabia's work.

MINOR WHITE - Barn and Clouds

MINOR WHITE. Barn and Clouds, in the Vicinity of Naples and Dansville, New York, 1955

André Kertész

Distortion No. 6, 1932
André Kertész (American, born Hungary, 1894–1985)
Gelatin silver print


Kertész accentuated the narrow ribcage and long waist of the ideal contemporary woman by photographing his model in a carnival mirror. If the top half of this beautiful nude resembles those Modigliani painted, the swell of the haunch recalls Mannerist nudes and their nineteenth-century revivals, especially Ingres' grande odalisque.

Nicolas Poussin

Rinaldo and Armida (c 1630) 

This scene comes from an epic poem by the baroque Italian writer Torquato Tasso celebrating the Crusades – a great theme for the counter-reformation renewal of the church in the 16th and 17th centuries. Poussin portrays Armida, one of the epic's chivalric characters, about to stab the sleeping knight Rinaldo when Cupid stays her hand. The figures and action are bold and abstract, which invites us to see it as an allegory of loving reason holding back murderous passion

Cy Twombly - Quattro Stagioni: Autunno, 1993-5

Cy Twombly  1928-2011  ( autre lien avec galerie de peintures )

Quattro Stagioni: Autunno, 1993-5




Tottering towers of colour, floating islands of colour, streams and rivulets of colour – the greatness of Cy Twombly as a painter lies in his architecture of colour and space. In this painting, the eruptions of heady purples and darkening greens hang in a huge empty void. That dazzling emptiness makes the chromatic flushes seem precious, intense and vulnerable

Ferragosto V, 1961

Untitled, 2001

http://www.guardian.co.uk/artanddesign/gallery/2011/jul/06/cy-twombly-life-in-pictures#/?picture=376531122&index=14

André Kertész - Satiric Dancer, Paris, 1926

André Kertész - Satiric Dancer, Paris, 1926 

Brassaï - In Picasso’s Studio, Rue des Grands Augustins, 1939

Brassaï -  In Picasso’s Studio, Rue des Grands Augustins, 1939

László Török - Family, 1972

László Török -  Family, 1972

Brassaï - Matisse with His Model, 1939

Brassai - Matisse with his model, 1939