tag:blogger.com,1999:blog-9045785743389934942024-03-27T06:54:34.875+01:00promenade culturelleculture histoire littérature golf
cuisine peintureberniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.comBlogger1916125tag:blogger.com,1999:blog-904578574338993494.post-76180066564931775052024-03-12T07:09:00.004+01:002024-03-12T07:09:28.789+01:00Françoise Gilot -Magic games,1978.<p><b><span style="font-size: large;"> Françoise Gilot </span> 1921-2023</b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvYvjw7rcDY1JrG9msJ7he8LAU6UXJxMMYnGN8iIqKcC7WOJ6CgCySe-Tc6ww-WSEKmY8dDzGQ66qBKvMWFhQHi-7Yqi0RrAhmQbs-oBihEjoYvp-VwOALH6lWP6buBpv2YOj6f6XKHV-99tqayW6BvNeiyCdrwZYTdphQr81ElyJAuDWTyfmp0IRezs/s1429/gilot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1429" data-original-width="1140" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrvYvjw7rcDY1JrG9msJ7he8LAU6UXJxMMYnGN8iIqKcC7WOJ6CgCySe-Tc6ww-WSEKmY8dDzGQ66qBKvMWFhQHi-7Yqi0RrAhmQbs-oBihEjoYvp-VwOALH6lWP6buBpv2YOj6f6XKHV-99tqayW6BvNeiyCdrwZYTdphQr81ElyJAuDWTyfmp0IRezs/w328-h412/gilot.jpg" width="328" alt=" Françoise Gilot -Magic games,1978. " title="Françoise Gilot -Magic games,1978. " /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;">Françoise Gilot -Magic Games,1978.</span></b></div><br /><b><br /></b><p></p><p><b><br /></b></p><p><b><br /></b></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-78764347788788332732024-02-25T06:12:00.000+01:002024-02-25T06:12:40.227+01:00Richard Avedon - Stephanie Seymour,1992.<p><b><span style="font-size: large;"> Richard Avedon</span> 1923-2004</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8zAmOIgY3o6e2wjnQ1EcPle19CweG8YMaOTrmTqavhwPos7atqhlXqwF1pSQTQAfNLJH8EZJus052P89Ody_gvrNRbeEGeOfdr2HDpwYp7VZDkwJkrVDeVysQrwhS9pSfB-vfHzPJeumltIK1HEkZupZxC2HRNtiS5gkhyphenhyphen3KLmae0ZmIqiLo5xZjeg6U/s939/Stephanie+Seymour,+Dress+by+Comme+des+Garcons,+New+York+City,+May+1992+-+106.7457.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="939" data-original-width="750" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8zAmOIgY3o6e2wjnQ1EcPle19CweG8YMaOTrmTqavhwPos7atqhlXqwF1pSQTQAfNLJH8EZJus052P89Ody_gvrNRbeEGeOfdr2HDpwYp7VZDkwJkrVDeVysQrwhS9pSfB-vfHzPJeumltIK1HEkZupZxC2HRNtiS5gkhyphenhyphen3KLmae0ZmIqiLo5xZjeg6U/w292-h365/Stephanie+Seymour,+Dress+by+Comme+des+Garcons,+New+York+City,+May+1992+-+106.7457.jpg" width="292" alt=" Richard Avedon - Stephanie Seymour,1992. " title=" Richard Avedon - Stephanie Seymour,1992. " /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.avedonfoundation.org/" rel="nofollow" target="_blank"><br /></a></div><b><div style="text-align: center;"><b><a href="https://www.avedonfoundation.org/" rel="nofollow" target="_blank">Richard Avedon</a> - Stephanie Seymour,1992.</b></div></b><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-76201622768581029912023-12-01T18:42:00.000+01:002023-12-01T18:42:52.193+01:00Edvard Munch - Jeunes filles sur la plage<p><b><span style="font-size: large;"> <a href="https://www.munchmuseet.no/" rel="nofollow" target="_blank">Edvard Munch</a> </span>1863-1944</b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLAqk2Hn21qN2V19D-iul0_-UIxAzUWOobSmF2zcXYZQ2WBD-3lFwmA39Vv8FSMSqslIMauXrjgHv27-oIV9h7tmluUta1p1UIptLYUZwTJjgcUFO5UGm6p49uwZShgnf2-YwpgCgk9azpRBidi3Kg0hZTF6S5n7eqfxKWJGOkyiJX1ffOCDVTJdFKV34/s664/357936d_1700582107091-edvard-munch-jugend-am-strand-1904-berlinische-galerie.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Edvard Munch Jeunes gens sur la plage de la Frise Linde,1904." border="0" data-original-height="339" data-original-width="664" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLAqk2Hn21qN2V19D-iul0_-UIxAzUWOobSmF2zcXYZQ2WBD-3lFwmA39Vv8FSMSqslIMauXrjgHv27-oIV9h7tmluUta1p1UIptLYUZwTJjgcUFO5UGm6p49uwZShgnf2-YwpgCgk9azpRBidi3Kg0hZTF6S5n7eqfxKWJGOkyiJX1ffOCDVTJdFKV34/w377-h192/357936d_1700582107091-edvard-munch-jugend-am-strand-1904-berlinische-galerie.jpg" title="Edvard Munch Jeunes gens sur la plage de la Frise Linde,190" width="377" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Edvard Munch Jeunes gens sur la plage de la Frise Linde,1904.</b></div><div class="separator" style="clear: both; text-align: center;"><b>Jugend am Strand;1904</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 90,5 x 135 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja4LQcQMlI3JbHRk_Nk28i35M_eN55hXnz56OTcW17JpMQ8g-v7rnGkF9VfTLR0iXrFyh18jTMjhvBlE4OjrlH4NunxNHwrv-UXZEkP5qqM2eRi5J3V9dBAVx-brt6Eyahvs3pI2G7zhqZ2dwDWMq4LglnXytRvJg5M4AY7fPrpUdetTrLCJYQRV1Dhck/s755/1c34675_1700582107095-edvard-munch-stanislaw-przybyszewski-1895-berlinische-galerie.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Edvard Munch - Stanislaw Przyszewski écrivain polonais ,1895." border="0" data-original-height="755" data-original-width="664" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja4LQcQMlI3JbHRk_Nk28i35M_eN55hXnz56OTcW17JpMQ8g-v7rnGkF9VfTLR0iXrFyh18jTMjhvBlE4OjrlH4NunxNHwrv-UXZEkP5qqM2eRi5J3V9dBAVx-brt6Eyahvs3pI2G7zhqZ2dwDWMq4LglnXytRvJg5M4AY7fPrpUdetTrLCJYQRV1Dhck/w323-h368/1c34675_1700582107095-edvard-munch-stanislaw-przybyszewski-1895-berlinische-galerie.jpg" title="Edvard Munch - Stanislaw Przyszewski écrivain polonais ,1895." width="323" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;"><b>Edvard Munch - Stanislaw Przyszewski écrivain polonais ,1895.</b></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><b>huile sur toile -</b></div><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p><br /></p><p><br /></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-73993140158075300652023-11-21T06:22:00.001+01:002023-11-21T06:37:19.052+01:00France Culture - Pourquoi tant de nus dans l'art<p> </p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/tlvZFtJJnVk?si=5zN601jQE-GUhRNs&start=55" title="YouTube video player" width="560"></iframe>
<div><br /></div><div><p class="Paragraph qg-tx2 qg-xtra-lh svelte-1778tdy" style="--_font-size: var(--quarks-font-size,50); --_line-height: var(--quarks-line-height,calc(var(--_font-size) + 10)); --quarks-font-size: 18; background-color: #fafafa; box-sizing: border-box; color: #181b1f; font-family: franklingothicbook, arialFallbackNormal, sans-serif; font-size: 18px; line-height: calc(var(--px)*var(--_line-height)); margin: 0 0 var(--space) 0; word-break: break-word;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-bottom: 0px; margin-top: 0px;">Bibliographie :</span></p><ul style="background-color: #fafafa; box-sizing: border-box; color: #181b1f; font-family: franklingothicbook, arialFallbackNormal, sans-serif; font-size: 18px; line-height: calc(var(--space)*3.5); list-style: revert; margin-block: var(--space2); margin: 0px; overflow-wrap: break-word; padding-inline-start: calc(var(--space)*4.5); padding: 0px;"><li style="box-sizing: border-box; margin-top: 0px;"><a class="" data-testid="link" href="https://www.editions-norma.com/products/loeil-en-rut" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Claire Maingon</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">L’œil en rut – Art et érotisme en France au XIXe siècle</em>, éd. Norma, 2019</a></li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Claire Maingon</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">Quand le patrimoine se met à nu</em>, Paris, éd. Beaux-arts</li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Claire Maingon</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">Les scandales érotiques de l’art</em>, Paris, Beaux-arts éditions, 2016</li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://editions.flammarion.com/l-invention-du-corps/9782080114921" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Nadeije Laneyrie-Dagen</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">L’Invention du corps,</em> Flammarion, 2006</a></li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://www.librairie-gallimard.com/livre/9782080101440-l-invention-du-corps-la-representation-de-l-homme-du-moyen-age-a-la-fin-du-xixe-siecle-nadeije-laneyrie-dagen/" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Nadeije Laneyrie-Dagen</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">La Représentation de l'homme du Moyen-Âge à la fin du XIXe siècle</em>, Galimard, 1997</a></li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Régis Michel</span>, Catalogue de l'exposition, <em style="box-sizing: border-box; margin-bottom: 0px;">Posséder et détruire : Stratégies sexuelles dans l’art d’Occident</em>, RMN, 200</li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Elisabeth Leibovici</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">L'Intime</em> , direction d'ouvrage, éditions de l' École nationale supérieure des beaux-arts, 1998</li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Elisabeth Leibovici,</span> <em style="box-sizing: border-box; margin-bottom: 0px;">Femmes artistes/Artistes femmes : Paris, de 1880 à nos jours avec Catherine Gonnard</em>, éditions Hazan, 2007</li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://www.musee-orsay.fr/fr/agenda/expositions/splendeurs-et-miseres-images-de-la-prostitution-1850-1910" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Nienke Bakker, Isolde Pludermacher, Marie Rober</span>t, <em style="box-sizing: border-box; margin-bottom: 0px;">Catalogue de l'exposition, Splendeurs et misères. Images de la prostitution, 1850-1910</em>, Flammarion, 2016</a></li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://www.lespressesdureel.com/ouvrage.php?id=6889" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Anne lafont</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">L’Art et la Race. L’Africain (tout) contre l’œil des Lumières</em>, Les Presses du réel, 2019</a></li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://editions.flammarion.com/le-modele-noir/9782081480964" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Collectif</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">Catalogue exposition, Le modèle noir, Le modèle noir De Géricault à Matisse</em>, Coédition Flammarion / Musée d'Orsay et de l'Orangerie</a></li><li style="box-sizing: border-box;"><a class="" data-testid="link" href="https://www.arkhe-editions.com/livre/les-genres-fluides/" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Clovis maillet</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">Les Genres fluides</em>, Paris, Arkhé, 2020</a></li><li style="box-sizing: border-box;"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Claudine Cohen</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">La femme des origines : images de la femme dans la préhistoire occidentale</em>, Paris, Belin Herscher, 2003 ; rééd. 2006</li><li style="box-sizing: border-box; margin-bottom: 0px;"><a class="" data-testid="link" href="https://www.puf.com/content/Image_et_transgression_au_Moyen_%C3%82ge" rel="noopener noreferrer" style="border-bottom: .1em solid var(--link-underline,var(--stationSecondaryColor)); box-sizing: border-box; line-height: 0; margin-bottom: 0px; margin-top: 0px; padding-bottom: 2px; text-decoration-line: none; transition: color 0.4s ease-in 0s; width: fit-content;" target="_blank"><span style="box-sizing: border-box; font-family: var(--font-medium); margin-top: 0px;">Gil Bartholeyns</span>, <span style="box-sizing: border-box; font-family: var(--font-medium);">Pierre-Olivier Dittmar</span>, <span style="box-sizing: border-box; font-family: var(--font-medium);">Vincent Jolivet</span>, <em style="box-sizing: border-box; margin-bottom: 0px;">Image et transgression au Moyen Âges</em>, PUF (coll. Lignes d’art), 2008, 195 p. (Traduction italienne : Immagine e trasgressione nel Medioevo, Roma, Edizioni Arkeios, 2015</a></li></ul></div>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-63819492778121385842023-10-26T07:49:00.003+02:002023-10-26T07:49:32.843+02:00Joan Miro - Paysage catalan,1924.<p><b><span style="font-size: large;"> Joan Miro</span> 1893-1983</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbLFrH99D8b3Hr90U_k_VaugChKvO0aI3tdDMe24iQ01e1teoHXS7wGAU7HxQn7xsV3duzu_Ii0Ms5lAcqSuNESiadAhjT1voltp0dkXyLtkoO7Gd_eY9XB9SCHqbB3l3axQym4czMWWT-22PSAJqqlFRrOlHNT3tW65hl_x4MmgZ_YEvp7-XjdiqHogI/s1024/51DBDD5E-5348-4F3A-B77D-82AE4D1906D7-1024x660.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="660" data-original-width="1024" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbLFrH99D8b3Hr90U_k_VaugChKvO0aI3tdDMe24iQ01e1teoHXS7wGAU7HxQn7xsV3duzu_Ii0Ms5lAcqSuNESiadAhjT1voltp0dkXyLtkoO7Gd_eY9XB9SCHqbB3l3axQym4czMWWT-22PSAJqqlFRrOlHNT3tW65hl_x4MmgZ_YEvp7-XjdiqHogI/w402-h259/51DBDD5E-5348-4F3A-B77D-82AE4D1906D7-1024x660.jpeg" width="402" alt=" Joan Miro - Payasage catalan, 1924. " title=" Joan Miro - Payasage catalan, 1924. " /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Joan Miro - Payasage catalan, 1924.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 65 x 100 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b>MOMA,New York</b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-65366012337556654482023-10-19T22:17:00.002+02:002023-10-19T22:17:57.486+02:00Mark Rothko<p> <b><span style="font-size: large;">Mark Rothko </span>1903-1970</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGRvRVzf4VGK15DMsVFC9kbM1WDbjBKccILvMoe8CTn9WE04ThoTPHIadXri8qR2aJU8YXJNFsB5eYOW3XkZMIgUz0cQhV2LFef1eaOcmaLRwTReTXAH_cALDDS9DDGmuMBsR-kCiuHPuo0REij_cGfk-JYh6_rr0Fmz-iz88IxYe4Boq6GH0x-gRQ3iA/s816/mark-rothko-sans-titre-n-5-n-22-1950.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Mark Rothko - Sans titre No 5 / No 22" border="0" data-original-height="816" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGRvRVzf4VGK15DMsVFC9kbM1WDbjBKccILvMoe8CTn9WE04ThoTPHIadXri8qR2aJU8YXJNFsB5eYOW3XkZMIgUz0cQhV2LFef1eaOcmaLRwTReTXAH_cALDDS9DDGmuMBsR-kCiuHPuo0REij_cGfk-JYh6_rr0Fmz-iz88IxYe4Boq6GH0x-gRQ3iA/s320/mark-rothko-sans-titre-n-5-n-22-1950.jpg" title="Mark Rothko - Sans titre No 5 / No 22" width="301" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://www.moma.org/collection/works/80566" rel="nofollow" target="_blank">Mark Rothko - Sans titre No 5 / No 22</a></b></div><p style="text-align: center;"><b>Huile sur toile - 297 x 272 cm</b></p><p style="text-align: center;"><b>MOMA,New York</b></p><p style="text-align: center;"><br /></p><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-41924859545959340452023-09-29T08:54:00.000+02:002023-09-29T08:54:42.842+02:00Joan Miro - Femmes et oiseau dans la nuit,1947.<p><b><span style="font-size: large;"> Joan Miro</span> 1893-1983 ( 90 ans )</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1RPP0xJifK88OJcqZ6avEtt3PgT0Xs_YEEAmd8MlzoSYpuRQec7o9EDO3idZjaEiLAsLNzLrqrehsjR7eTHOz0untX6icIow6jP8izSmhzSwBW5sGxZ0mfdIMCLY9NvBBOriRdGvkoqCeCV9q8GqxlepQwMJq7E1WYDT_dTedgHbe66-8HNwFNsCkeR0/s1024/Miro-1947-scaled-e1606937943699-1024x802.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Joan Miro - Femmes et oiseau dans la nuit,1947." border="0" data-original-height="802" data-original-width="1024" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1RPP0xJifK88OJcqZ6avEtt3PgT0Xs_YEEAmd8MlzoSYpuRQec7o9EDO3idZjaEiLAsLNzLrqrehsjR7eTHOz0untX6icIow6jP8izSmhzSwBW5sGxZ0mfdIMCLY9NvBBOriRdGvkoqCeCV9q8GqxlepQwMJq7E1WYDT_dTedgHbe66-8HNwFNsCkeR0/s320/Miro-1947-scaled-e1606937943699-1024x802.jpg" title="Joan Miro - Femmes et oiseau dans la nuit,1947." width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Joan Miro - Femmes et oiseau dans la nuit,1947.</b></div><div class="separator" style="clear: both; text-align: center;"><b>Private collection</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><p><br /></p><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-55610124098076636712023-09-21T18:40:00.002+02:002023-09-21T18:45:11.496+02:00Max Ernst - oeuvres années 1920<p><b><span style="font-size: large;">Max Ernst</span> 1891-1976 (85 ans)</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyjMXNIo_vPb4kf0TovsZVmWZ7tel6PG3MC_QFBluMla8KoY_8ZeoNQBwYuxd9Pk9ztRaFiWkCAFOxonW-9VC-wC6iyuP5BtWc6KWoxfjvgeKx8hr94L8D0VcJLG7bzUQIuGpnE1wBtZGfgr6R3reP0wAfmJWpl7bUvCJFONMKNjAeYqK3t2DZ5kWGVQY/s2880/1-Dorothea-Tanning-and-Max-Ernst-with-his-sculpture-Capricorn-1947-John-Kasnetsis_trans_NvBQzQNjv4BqHKnrmQ7SCbGWas0oWxzOkxMZxvlEmAphVf9_Ov4Iagw.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Dorothea Tanning and Max Ernst with his sculpture Capricorn,1947." border="0" data-original-height="1799" data-original-width="2880" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyjMXNIo_vPb4kf0TovsZVmWZ7tel6PG3MC_QFBluMla8KoY_8ZeoNQBwYuxd9Pk9ztRaFiWkCAFOxonW-9VC-wC6iyuP5BtWc6KWoxfjvgeKx8hr94L8D0VcJLG7bzUQIuGpnE1wBtZGfgr6R3reP0wAfmJWpl7bUvCJFONMKNjAeYqK3t2DZ5kWGVQY/w423-h265/1-Dorothea-Tanning-and-Max-Ernst-with-his-sculpture-Capricorn-1947-John-Kasnetsis_trans_NvBQzQNjv4BqHKnrmQ7SCbGWas0oWxzOkxMZxvlEmAphVf9_Ov4Iagw.jpg" title="Dorothea Tanning and Max Ernst with his sculpture Capricorn,1947." width="423" /></a></div><br /><div style="text-align: center;"><span style="font-weight: 700;">Dorothea Tanning (1910-2012) and Max Ernst with his sculpture Capricorn,1947.</span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZokodXAD3en0V7TIDXtTEBDTsBV_I1917zC3JBJnU9gUSlbea-Uieb58UKhL7eG4GhAgmHgAQW5YvWGQ_Z59YeoAMwDOSRSYrIFjIQ6TgE00ZaD2sMFP70JDhheEhKT-_0DmBbQs6bhd0FpYYJ40oTUn0sSdbLrXnJKDPh9_cRn1mRR7j0TUlk_3UP0/s699/The_Elephant_Celebes.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Max Ernst - The elephant Celebes, 1921." border="0" data-original-height="699" data-original-width="609" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZokodXAD3en0V7TIDXtTEBDTsBV_I1917zC3JBJnU9gUSlbea-Uieb58UKhL7eG4GhAgmHgAQW5YvWGQ_Z59YeoAMwDOSRSYrIFjIQ6TgE00ZaD2sMFP70JDhheEhKT-_0DmBbQs6bhd0FpYYJ40oTUn0sSdbLrXnJKDPh9_cRn1mRR7j0TUlk_3UP0/s320/The_Elephant_Celebes.jpg" title="Max Ernst - The elephant Celebes, 1921." width="279" /></a></div><br /><span style="font-weight: 700;">Max Ernst - The elephant Celebes, 1921.</span></div><div style="text-align: center;"><span style="font-weight: 700;">huile sur toile - 125 x 108 cm</span></div><div style="text-align: center;"><span style="font-weight: 700;">Tate Modern, london</span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8zVUdOVKwPyqci52QSElYjYs93Np7rSQ3-X9YF2OVAHtkoXAIrRoJAoduQ1K_sM3pqrErAamvXZPTwxPRdwjOXG8I63y3koDzm0POdsqiTNNRqvBQiSiqqNVepb4ueEe9RH8dhlg6HJrPrSqt88WSJ7ewPNV6KC9zlBL-umOD9d1VHYNkLRM8FLiN13E/s1600/image_2280144_20201113_ob_897b45_5be43390bd1ddad5f513bba68b22d24b-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1069" data-original-width="1600" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8zVUdOVKwPyqci52QSElYjYs93Np7rSQ3-X9YF2OVAHtkoXAIrRoJAoduQ1K_sM3pqrErAamvXZPTwxPRdwjOXG8I63y3koDzm0POdsqiTNNRqvBQiSiqqNVepb4ueEe9RH8dhlg6HJrPrSqt88WSJ7ewPNV6KC9zlBL-umOD9d1VHYNkLRM8FLiN13E/w381-h255/image_2280144_20201113_ob_897b45_5be43390bd1ddad5f513bba68b22d24b-2.jpg" width="381" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div><span style="font-weight: 700;">Max Ernst - Au rendez-vous des amis, 1922.</span></div><div><span style="font-weight: 700;">huile sur toile - 130 x 195 cm</span></div><div><span style="font-weight: 700;">musée Ludwig,Cologne</span></div><div><span style="font-weight: 700;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE7jHGBIZUajGJObi80FLo6FabPrMjF7Zxt2Q0JQeQRSpwSLL1_bvhOQO3StjdVWVEfS3ojRY0Yama0xPQzhoEHqNfv-rhHQ6qPy32VDCSKPxKGXvry_VS0fOCLFbzqJIKtY06gsejIC9iOkr41Iqb7vFurocV7jyDIgXhjW-7zP-uwADtYMwtmsOLyKI/s1066/image_2280144_20201113_ob_09c3c6_au-rendez-vous-des-amis-max-ernst-192.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1066" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE7jHGBIZUajGJObi80FLo6FabPrMjF7Zxt2Q0JQeQRSpwSLL1_bvhOQO3StjdVWVEfS3ojRY0Yama0xPQzhoEHqNfv-rhHQ6qPy32VDCSKPxKGXvry_VS0fOCLFbzqJIKtY06gsejIC9iOkr41Iqb7vFurocV7jyDIgXhjW-7zP-uwADtYMwtmsOLyKI/w376-h282/image_2280144_20201113_ob_09c3c6_au-rendez-vous-des-amis-max-ernst-192.jpg" width="376" /></a></div><br /><span style="font-weight: 700;"><br /></span></div></div><br /><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU2_KgBMs7GLFkksNvGyXLYpkoXytJu_BtywmOPKCdfPD93RJiZG20HNwU2UghlrYlm9JvCFOPbf90EUKBvA-nIOS0eQ3LItdS4JLpHlxFVQKNqbTiqHwF0at5Xr6BDHKIUhV7lKSFy36heAXo3Hxykagg6f6IZAEEVaPMYiZ0GWiXOKVIWiQ3KORr1PY/s1003/Ubu_Imperator.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1003" data-original-width="800" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU2_KgBMs7GLFkksNvGyXLYpkoXytJu_BtywmOPKCdfPD93RJiZG20HNwU2UghlrYlm9JvCFOPbf90EUKBvA-nIOS0eQ3LItdS4JLpHlxFVQKNqbTiqHwF0at5Xr6BDHKIUhV7lKSFy36heAXo3Hxykagg6f6IZAEEVaPMYiZ0GWiXOKVIWiQ3KORr1PY/w292-h366/Ubu_Imperator.jpg" width="292" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div><span style="font-weight: 700;">Max Ernst - Ubu imperator, 1923.</span></div><div><span style="font-weight: 700;">huile sur toile - 81 x 65cm</span></div><div><span style="font-weight: 700;">Centre Pompidou</span></div><div><span style="font-weight: 700;"><br /></span></div><div><span style="font-weight: 700;"><br /></span></div></div><br /><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-13463042312580558512023-08-30T22:13:00.000+02:002023-08-30T22:13:30.745+02:00Frederic Leighton - Flaming June<b><span style="font-size: large;">Frederic Leighton</span> 1830-1896</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhriZ-jm8nsV92NOqKEn6q3Pail9YqWqkjVjuJ9ZW7JFgVrvAyWfY-nGfvTRr_xjqpk2YkCZOa5LCkAjc9g6bUHQlCxYpFejaiGfZ_ZJeOcOL1CRv9l_N7dweTQCEcoHQ4lU580mfx-JAQ/s1600/Flaming_June%252C_by_Frederic_Lord_Leighton_%25281830-1896%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Frederic Leighton - Flaming June,1895." border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhriZ-jm8nsV92NOqKEn6q3Pail9YqWqkjVjuJ9ZW7JFgVrvAyWfY-nGfvTRr_xjqpk2YkCZOa5LCkAjc9g6bUHQlCxYpFejaiGfZ_ZJeOcOL1CRv9l_N7dweTQCEcoHQ4lU580mfx-JAQ/s320/Flaming_June%252C_by_Frederic_Lord_Leighton_%25281830-1896%2529.jpg" title="Frederic Leighton - Flaming June,1895." width="319" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
<div style="text-align: center;"><b><a href="https://www.theguardian.com/artanddesign/2016/nov/11/from-kitsch-to-collectable-the-visionary-rescuers-of-victorian-art" rel="nofollow" target="_blank">Frederic Leighton </a>- Flaming June,1895.</b></div><div style="text-align: center;"><b>huile sur toile - 120 x 120 cm</b></div><div style="text-align: center;"><b>Museo,Puerto Rico</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0BTzC6iY_JofBaAeIXcxzv9Mw9Zeg31L1XqxKWmN_2hhS27AGOsx4vaESQxA_0PLUuDjam7kNfoCfL-v-TknoGcBfMahJ42uTSll_mvUy1RKoImtfc9mzCu74ftcb7BgQGUIkdpzO60/s1600/Frederic-Lord-Leighton-Greek-girls-picking-up-pebbles-by-the-sea-1871.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0BTzC6iY_JofBaAeIXcxzv9Mw9Zeg31L1XqxKWmN_2hhS27AGOsx4vaESQxA_0PLUuDjam7kNfoCfL-v-TknoGcBfMahJ42uTSll_mvUy1RKoImtfc9mzCu74ftcb7BgQGUIkdpzO60/s400/Frederic-Lord-Leighton-Greek-girls-picking-up-pebbles-by-the-sea-1871.jpg" width="400" /> </a></div>
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<b><span class="artist-name">Frederic, Lord Leighton PRA,</span>
<span class="artwork-title">Greek Girls Picking up Pebbles by the Sea,</span>
<span class="year-produced">1871.</span></b>
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<div class="details" style="text-align: center;"><b>huile sur toile - 84 x 130 cm. </b></div><div class="details" style="text-align: center;"><b>The Pérez Simón Collection, Mexico</b></div>
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<br />berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-85093841425798565442023-08-07T21:51:00.000+02:002023-08-07T21:51:05.743+02:00Gainsborough et sa famille<p><b><span style="font-size: large;"> Thomas Gainsborough</span> 1727-1788 (61 ans )</b></p><p><b><br /></b></p><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfm99Ml2QuILPInD6NvJCJunqIRK7V3EHiVyRC2ezq4bNsjl13qtWQqiz1D6zsK6FI1KiEbHICKWv06gD7ivqq393HhcjWBAdQGgN9TfVq5cohzwB8OgrhgcQQo4trsSStNSC0eXB07QPaCnB5kc1RjPbJlG21YyUcWWIpCijWMY3bCGpIQIufbswqDJE/s800/N-1811-00-000036-wpu.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Thomas Gainsborough - The painter's daughters chasing a butterfly." border="0" data-original-height="800" data-original-width="742" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfm99Ml2QuILPInD6NvJCJunqIRK7V3EHiVyRC2ezq4bNsjl13qtWQqiz1D6zsK6FI1KiEbHICKWv06gD7ivqq393HhcjWBAdQGgN9TfVq5cohzwB8OgrhgcQQo4trsSStNSC0eXB07QPaCnB5kc1RjPbJlG21YyUcWWIpCijWMY3bCGpIQIufbswqDJE/s320/N-1811-00-000036-wpu.jpg" title="Thomas Gainsborough - The painter's daughters chasing a butterfly." width="297" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><b style="text-align: left;">Thomas Gainsborough - The painter's daughters chasing a butterfly.</b></div><div style="text-align: center;"><b style="text-align: left;"><br /></b></div><div style="text-align: center;"><b>oil on canvas</b></div><div style="text-align: center;"><b><a href="https://www.nationalgallery.org.uk/paintings/thomas-gainsborough-the-painters-daughters-chasing-a-butterfly#VideoPlayer95488" rel="nofollow" target="_blank"><br /></a></b></div><div style="text-align: center;"><b><a href="https://www.nationalgallery.org.uk/paintings/thomas-gainsborough-the-painters-daughters-chasing-a-butterfly#VideoPlayer95488" rel="nofollow" target="_blank">The National Gallery,London.</a></b></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDpVZJbcL2p6MRBKWHasobIjDMSJ5bZk2Q3OT3ASFrHP3dpCQOTFDO0K6rO44oZPPp48FVNlqv-9kq9OKwDyxRdLZQI1DG3Z6VlpHHPup41Y1p5LlNTAgjp-cZ4NxH-R1N30GznYlzSOsZ3nO6_NXrxcab5g3lZ0yMdWR-i0SajGDg3S70EnKO9T2Y2xw/s800/N-3812-00-000020-wpu.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="674" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDpVZJbcL2p6MRBKWHasobIjDMSJ5bZk2Q3OT3ASFrHP3dpCQOTFDO0K6rO44oZPPp48FVNlqv-9kq9OKwDyxRdLZQI1DG3Z6VlpHHPup41Y1p5LlNTAgjp-cZ4NxH-R1N30GznYlzSOsZ3nO6_NXrxcab5g3lZ0yMdWR-i0SajGDg3S70EnKO9T2Y2xw/w287-h340/N-3812-00-000020-wpu.jpg" width="287" /></a></div><p></p><p style="text-align: center;"><b style="text-align: left;">Thomas Gainsborough - The painter's daughters with a cat</b></p><div style="text-align: center;"><b>oil on canvas</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b>The National Gallery,London.</b></div><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKPSXfSpHNAeBtxBUizD5FJEUI-r90M3dfIdzfLgzqWT9ADWkBvdg0TVfHi71laPkSd4rwFqxjG0RB741YHaOTjYC1mGGc_8ET8JQZUoWUdeiMTBE9DDO4jS2GtxzCE8jqHUaNbjdFIep-azNR4gQtQM2JMKC1SQD4w-lR-PUTWTyihDdffu_bEFPfPY/s800/N-6547-00-000029-wpu.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Thomas Gainsborough - Portrait of the painter with his wife and daughter." border="0" data-original-height="800" data-original-width="616" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKPSXfSpHNAeBtxBUizD5FJEUI-r90M3dfIdzfLgzqWT9ADWkBvdg0TVfHi71laPkSd4rwFqxjG0RB741YHaOTjYC1mGGc_8ET8JQZUoWUdeiMTBE9DDO4jS2GtxzCE8jqHUaNbjdFIep-azNR4gQtQM2JMKC1SQD4w-lR-PUTWTyihDdffu_bEFPfPY/w299-h388/N-6547-00-000029-wpu.jpg" title="Thomas Gainsborough - Portrait of the painter with his wife and daughter." width="299" /></a></div><br /><p style="text-align: center;"><b style="text-align: left;">Thomas Gainsborough - Portrait of the painter with his wife and daughter.</b></p><p style="text-align: center;"><b>oil on canvas</b></p><div style="text-align: center;"><b>The National Gallery,London.</b></div>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-75486712357481174072023-08-07T21:11:00.003+02:002023-08-07T21:20:37.805+02:00Gainsborough and the lay figure <p><b><span style="font-size: large;"> Thomas Gainsborough</span> 1727-1788 (61 ns )</b></p><p><b>Le peintre utilisa des pantins ou mannequins articulés pour composer ces portraits:</b></p><p><b><br /></b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcyPGGT3i5F1bxDmN04hSfLF3XK4TlFbsTr0O12Uo0w4c7EIkFN0IPIscZI-6LNPesRgToycuPA0ORn6UvaW22RQjvzi_xfwNoiQWnz9p8O3QMdcw3cwF9vMWMFwCFToX11XVgzPjd0VvZDO4avgGuW9rkPmvo-dlDKibmJsAW_Q0IINvdVgY6bZxohUw/s640/Mannequin-Gainsborough-Thomas-Heaneage-Lloyd-and-his-sister-Lucy-c1748-50-oil-on-canvas-Fitzwilliam-Museum-Cambridge.jpg" style="margin-left: 1em; margin-right: 1em;"><img -="" and="" border="0" ca.1748-1750.="" data-original-height="507" data-original-width="640 alt=" gainsborough="" heanage="" height="309" his="" lloyd="" lucy="" sister="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcyPGGT3i5F1bxDmN04hSfLF3XK4TlFbsTr0O12Uo0w4c7EIkFN0IPIscZI-6LNPesRgToycuPA0ORn6UvaW22RQjvzi_xfwNoiQWnz9p8O3QMdcw3cwF9vMWMFwCFToX11XVgzPjd0VvZDO4avgGuW9rkPmvo-dlDKibmJsAW_Q0IINvdVgY6bZxohUw/w390-h309/Mannequin-Gainsborough-Thomas-Heaneage-Lloyd-and-his-sister-Lucy-c1748-50-oil-on-canvas-Fitzwilliam-Museum-Cambridge.jpg" thomas="" title="Thomas Gainsborough - Heanage Lloyd and his sister Lucy,ca.1748-1750." width="390" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Thomas Gainsborough - Heanage Lloyd and his sister Lucy,ca.1748-1750.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 81x 64 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://fitzmuseum.cam.ac.uk/objects-and-artworks/highlights/710" rel="nofollow" target="_blank">Fitzwilliam Museum,Cambridge</a></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><b>Bien que connu pour être un des meilleurs portraitistes de la société anglaise du XVIII ième siècle, </b><b>Gainsborough lui-même avouait sa passion pour la peinture de paysage.</b></div><div><b> </b></div><b><br /></b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7fqVBtcNXsFPaG7aqKYbt94RFkeG_NA8lUNTDCZnWYBPTDbsVKIkpOH7RzAE16CCwkEbp1-57cjjwQqURcGDZbget831zwy3KUoHhVljEmng2QV0TVBi6xNSJigNOTKwZ4gR3kLdVrgOMRUyPLvGXFLlA5bV6sidXpkqlRRuNrsMe8ycJAWUsHlwn2t8/s1025/PD_3_1966_201403_adn21_dc2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1025" data-original-width="877" height="447" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7fqVBtcNXsFPaG7aqKYbt94RFkeG_NA8lUNTDCZnWYBPTDbsVKIkpOH7RzAE16CCwkEbp1-57cjjwQqURcGDZbget831zwy3KUoHhVljEmng2QV0TVBi6xNSJigNOTKwZ4gR3kLdVrgOMRUyPLvGXFLlA5bV6sidXpkqlRRuNrsMe8ycJAWUsHlwn2t8/w382-h447/PD_3_1966_201403_adn21_dc2.jpg" width="382" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><b>Thomas Gainsborough - Landscape with a pool.</b></div><div class="separator" style="clear: both;"><b>huile sur toile</b></div></div></div><div class="separator" style="clear: both; text-align: center;"><b>Fitzwilliam Museum,Cambridge</b><br style="background-color: white; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12.32px;" /><div style="text-align: left;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4VQhFxkVEvJF2x68huqURnAoGvpJ1KWbLt2DKPfmPZDuYnLPG-x24N00UabpgrUhcYoPdSFP7zcGvKLYMO0MBc9LUQIFeJlXYgtNvJDERJio3dkDMBfl4kETBCzS5HXjgNZlt1ZAJ0nM-bw3JZbBltrk0MNU5chuucHkpF_iqW6RaNufcZmzQ9CoEA-c/s640/Mannequin-Gainsborough-Thomas-Conversation-in-a-park-c1740-oil-on-canvas-Louvre.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Thomas Gainsborough -Converstion in a park; ca. 1740." border="0" data-original-height="640" data-original-width="554" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4VQhFxkVEvJF2x68huqURnAoGvpJ1KWbLt2DKPfmPZDuYnLPG-x24N00UabpgrUhcYoPdSFP7zcGvKLYMO0MBc9LUQIFeJlXYgtNvJDERJio3dkDMBfl4kETBCzS5HXjgNZlt1ZAJ0nM-bw3JZbBltrk0MNU5chuucHkpF_iqW6RaNufcZmzQ9CoEA-c/s320/Mannequin-Gainsborough-Thomas-Conversation-in-a-park-c1740-oil-on-canvas-Louvre.jpg" title="Thomas Gainsborough -Converstion in a park; ca. 1740." width="277" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><b>Thomas Gainsborough -Converstion in a park; ca. 1740.</b></div><div class="separator" style="clear: both;"><b>huile sur toile</b></div></div><div class="separator" style="clear: both; text-align: center;"><b>Louvre,Paris</b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-70040358842408908082023-07-14T07:36:00.006+02:002023-07-14T07:36:54.108+02:00Thomas Gainsborough - Mary,ciuntess Howe<p><b><span style="font-size: large;"> Thomas Gainsborough</span> 1727-1788 (61 ans)</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3EXpfOEFGyy-gYAt1rcW2h2PJps0Lh0jTrcFwQ-pLtY3X_l-mk0yuFYwAvfqUeaoqSX4Q565NmwCWJSFG8nCDaZjvqTgEMjTJ-2gWZ1zH_KtVewavp_TmnxP8FL0dxCM6IjkMmqvPpp7pYC35CudOUVj9qVBW_5BSVHPjdqSWSi6p-7_HUzdTT4-zm7g/s1000/xGainsboroughCountessHowe.jpg.pagespeed.ic.ulQ-vGSyxc.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Thomas Gainsborough - Mary,countess Howe,c1764." border="0" data-original-height="1000" data-original-width="630" height="444" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3EXpfOEFGyy-gYAt1rcW2h2PJps0Lh0jTrcFwQ-pLtY3X_l-mk0yuFYwAvfqUeaoqSX4Q565NmwCWJSFG8nCDaZjvqTgEMjTJ-2gWZ1zH_KtVewavp_TmnxP8FL0dxCM6IjkMmqvPpp7pYC35CudOUVj9qVBW_5BSVHPjdqSWSi6p-7_HUzdTT4-zm7g/w280-h444/xGainsboroughCountessHowe.jpg.pagespeed.ic.ulQ-vGSyxc.webp" title="Thomas Gainsborough - Mary,countess Howe,c1764." width="280" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Thomas Gainsborough - Mary,countess Howe,c1764.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 244 152 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b>Kenwood House,London</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-12050269723175714622023-07-13T07:07:00.004+02:002023-07-13T07:08:59.582+02:00Berthe Morisot - Julie manet and her greyhound Laerte,18893<p><span style="font-size: large;"> </span><b><span style="font-size: large;">Berthe Morisot</span> 1841-1895</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpy88tqDjpCLGkmarZ92j2dXzsG7IfKkGMUUkuY3DXpRhaBvkiBUQQPQqhU_xWS_5F32YIpqQaXyiyJ8jJQ_YIFa_GYBclzj88BDLwccdIB8ys0EPSg5KNWALYW7CnBNC65s1ek_CpZO3GW1oVxycgqSHP6pyRcDIJuEhbqTfAK-8OMUjLXX8HdHSUVos/s1020/4474.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Berthe Morisot - Julie manet and her greyhound Laerte,18893" border="0" data-original-height="940" data-original-width="1020" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpy88tqDjpCLGkmarZ92j2dXzsG7IfKkGMUUkuY3DXpRhaBvkiBUQQPQqhU_xWS_5F32YIpqQaXyiyJ8jJQ_YIFa_GYBclzj88BDLwccdIB8ys0EPSg5KNWALYW7CnBNC65s1ek_CpZO3GW1oVxycgqSHP6pyRcDIJuEhbqTfAK-8OMUjLXX8HdHSUVos/w389-h359/4474.webp" title="Berthe Morisot - Julie manet and her greyhound Laerte,1893" width="389" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Berthe Morisot - Julie manet and her greyhound Laerte,1893</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><br /><b><br /></b><p></p>
<blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: justify;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/bAIcCAx5FmU" title="YouTube video player" width="400"></iframe></blockquote></blockquote></blockquote></blockquote>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-67721832328472051542023-07-12T06:36:00.002+02:002023-07-12T06:38:00.531+02:00Rodin Muse Whistler nue,bras coupés<p><b><span style="font-size: large;"> Auguste Rodin</span> 1840-1917 (77 ans )</b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitUNonWwQ8ValW8dGCMDvvORy1-a9P09Xul1vj1AyVhysIIqfaw3gLAe9fj9BrDyXCmzNL8OauXYRxJGS4xqCPOaPoHbONsz0WrDdSZFrLXDOfJnh3A7WCYnSAsQTx3N1DQEFWcZp6dCZMGW8SZOayxb4tiA9Scv3ChCplCSWO8S5Mo6X8avCkBT9pxjY/s2592/Muse_Whistler_de_Rodin_devant_l'h%C3%B4tel_Biron,_Paris.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Auguste Rodin - Muse Whistler nue,bras coupés , 1908." border="0" data-original-height="2592" data-original-width="1944" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitUNonWwQ8ValW8dGCMDvvORy1-a9P09Xul1vj1AyVhysIIqfaw3gLAe9fj9BrDyXCmzNL8OauXYRxJGS4xqCPOaPoHbONsz0WrDdSZFrLXDOfJnh3A7WCYnSAsQTx3N1DQEFWcZp6dCZMGW8SZOayxb4tiA9Scv3ChCplCSWO8S5Mo6X8avCkBT9pxjY/w297-h396/Muse_Whistler_de_Rodin_devant_l'h%C3%B4tel_Biron,_Paris.jpg" title="Auguste Rodin - Muse Whistler nue,bras coupés , 1908." width="297" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><b>Auguste Rodin - Muse Whistler nue,bras coupés , 1908.</b></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://pallant.org.uk/whats-on/gwen-john-art-and-life/" rel="nofollow" target="_blank">Le modèle est Gwen John,peintre,amante de Rodin</a> <b>1876-1939</b></div><p><br /></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-34666385346854401642023-06-28T08:51:00.001+02:002023-06-28T08:52:15.896+02:00Alexander Calder - praying mantis,1936<p><b><span style="font-size: large;"> Alexander "Sandy"</span></b> <b><span style="font-size: large;">Calder</span> 1898-1976 (78ans)</b></p><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE-C0uFmCyzh8A21yfPTLrl3OqLo0Im83Efw3ezRPrW6418iEpqb2yGrKJz0WtUJ2sPbHlcff4ETA5VAjpNnYiJCtFyygX2QpdMnuVaizp01jUuqEL53IRLnsqt_0p6xNp0MkH-KY0bIOj9Fn0dCX6nMkwcgGbGh5MMQPjSveGaOS-ABUvYvOw-rZekoM/s448/1958.24.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="290" data-original-width="448" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE-C0uFmCyzh8A21yfPTLrl3OqLo0Im83Efw3ezRPrW6418iEpqb2yGrKJz0WtUJ2sPbHlcff4ETA5VAjpNnYiJCtFyygX2QpdMnuVaizp01jUuqEL53IRLnsqt_0p6xNp0MkH-KY0bIOj9Fn0dCX6nMkwcgGbGh5MMQPjSveGaOS-ABUvYvOw-rZekoM/s320/1958.24.jpg" width="320" /></a></div><br /><p style="text-align: center;"><b>Study for Lobster trap and fish tail</b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpU1uEIueUi3j64Kp1CHM61quZ6_8H6CcYtpPAeyUeI8hj47583eZKMxgJ-nVyF8ejpMDt43OjJ0EkebmOpqKxbPP-sDaBs04uOylEdm8CLMwN_ikp2_8HqCwuDBoNkZnKVvBS0huUXIWqnPyZnRL0K4GlY5o3Rom9dD5GXSX1m0KqFuKnbwI-6J6pc3U/s1600/lobster-trap-and-fish-tail-1949-1343x1600.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1343" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpU1uEIueUi3j64Kp1CHM61quZ6_8H6CcYtpPAeyUeI8hj47583eZKMxgJ-nVyF8ejpMDt43OjJ0EkebmOpqKxbPP-sDaBs04uOylEdm8CLMwN_ikp2_8HqCwuDBoNkZnKVvBS0huUXIWqnPyZnRL0K4GlY5o3Rom9dD5GXSX1m0KqFuKnbwI-6J6pc3U/s320/lobster-trap-and-fish-tail-1949-1343x1600.jpg" width="269" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Lobster trap and fish tail,1939</b></div><div class="separator" style="clear: both; text-align: center;"><b>The museum of modern art ; New York</b></div><br /><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiW1Iq-Yj1zUMSvoMh2YFjccojAxwk3w_ER0U8ZFlDpoT6W7kJkSgXDZmu8Rasr-R-HHbtV8qrBOkTZ08JHtwP3ZzM_dgYLX-DBeV04Bwh5XUcv6QHvo1cesx3BV6imTZBmlsjF9McJcqmLfDwPyUo2DJfxEQr3ahO2x7bj6tEUtsCBlxwFEnqm79Tr-Y/s1024/gamma-1947-877x1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="877" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiW1Iq-Yj1zUMSvoMh2YFjccojAxwk3w_ER0U8ZFlDpoT6W7kJkSgXDZmu8Rasr-R-HHbtV8qrBOkTZ08JHtwP3ZzM_dgYLX-DBeV04Bwh5XUcv6QHvo1cesx3BV6imTZBmlsjF9McJcqmLfDwPyUo2DJfxEQr3ahO2x7bj6tEUtsCBlxwFEnqm79Tr-Y/s320/gamma-1947-877x1024.jpg" width="274" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMyBMyPasSQ6ohUoTM8LC4lazqvRI9DksOEMofycBzCS0A-gg9rJ3_hUvMLx_-OR5-Kztov5CsEivxRT0ee6fFgHthectg6yGiKv2UsjrSMzrYfxa0Vq6lwcgcG4NQAre_X6_6xC4iGNy9iItzYLprH7SfG79BpHwHIzmJqLO-Mf8wnu34W-uyp-PSX4A/s1024/praying-mantis-1936-812x1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Alexander Calder - praying mantis,1936" border="0" data-original-height="1024" data-original-width="812" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMyBMyPasSQ6ohUoTM8LC4lazqvRI9DksOEMofycBzCS0A-gg9rJ3_hUvMLx_-OR5-Kztov5CsEivxRT0ee6fFgHthectg6yGiKv2UsjrSMzrYfxa0Vq6lwcgcG4NQAre_X6_6xC4iGNy9iItzYLprH7SfG79BpHwHIzmJqLO-Mf8wnu34W-uyp-PSX4A/s320/praying-mantis-1936-812x1024.jpg" title="Alexander Calder - praying mantis,1936" width="254" /></a></div><p> </p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><b>Alexander Calder - praying mantis,1936</b></blockquote></blockquote></blockquote></blockquote></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: left;"> </p></blockquote><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p><br /></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-70287276572657001822023-06-15T06:31:00.004+02:002023-06-15T06:31:36.930+02:00José de Ribera - Saint Jérôme et l'ange<p><b> <span style="font-size: large;">José de Ribera</span> 1591-1652</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJTGBIYIMw90p_ucoORY89nnwsMXjS-V7y7jF1i0_X_V3YmOweS64tgVFRxg7mxcn1NCkWcZ_7FcZggieLw8ZhKUIopuGHt6WPjtMXV60kzcB8O_faSkO9PQlK571ED813KwtTkLSp6WZBQipYGJT_lwd1xFBoU6kOBPIuLtRW-2AD8o4PMHlJBvhZ/s1024/ribera-le-martyre-de-st-philippe-1639.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="José de Ribera - Le martyre de Saint Philippe,1639" border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJTGBIYIMw90p_ucoORY89nnwsMXjS-V7y7jF1i0_X_V3YmOweS64tgVFRxg7mxcn1NCkWcZ_7FcZggieLw8ZhKUIopuGHt6WPjtMXV60kzcB8O_faSkO9PQlK571ED813KwtTkLSp6WZBQipYGJT_lwd1xFBoU6kOBPIuLtRW-2AD8o4PMHlJBvhZ/s320/ribera-le-martyre-de-st-philippe-1639.jpg" title="José de Ribera - Le martyre de Saint Philippe,1639" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>José de Ribera - Le martyre de Saint Philippe,1639</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 234x 234 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://www.museodelprado.es/coleccion/obra-de-arte/martirio-de-san-felipe/a221ea0e-d38c-4018-be83-af9119458701" rel="nofollow" target="_blank">Musée du Prado</a></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgru2WVKKxln8hxc738S-nKJlOMGdKMaTIbWQ3ZGy--W6OzgZ_bXjwxoQ2naAsudA9w9xmtotXnusHqphTCvmJPjtYZ4a9oz0Zyyy7DYocRg78M0ITznpugpDU70WvRXARnZ8coRjUZBiz-Ku3WNOh3FiRpqgq4-mHtWb6HcXAQd5hOXK3UEhMFkVr3/s910/ribera-madeleine-penitente-vanite-1609-11.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="José de Ribera - Madelaine pénitente,1609-1611" border="0" data-original-height="910" data-original-width="722" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgru2WVKKxln8hxc738S-nKJlOMGdKMaTIbWQ3ZGy--W6OzgZ_bXjwxoQ2naAsudA9w9xmtotXnusHqphTCvmJPjtYZ4a9oz0Zyyy7DYocRg78M0ITznpugpDU70WvRXARnZ8coRjUZBiz-Ku3WNOh3FiRpqgq4-mHtWb6HcXAQd5hOXK3UEhMFkVr3/s320/ribera-madeleine-penitente-vanite-1609-11.jpg" title="José de Ribera - Madelaine pénitente,1609-1611" width="254" /></a></div><br /> <b>José de Ribera - Madelaine pénitente,1609-1611</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur bois - 50 x 39 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b>Collection particulière</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMGTJIVBQSIaYb0vVg5thO7Sk8rSdAK3vZmkBH-BqdmVNlq6Ckn0YRFrDfoQjZ6epT4kbwO4oYL6CoKM1WHuuAJX0BdUA7i1_LspzuVfBauvk-omJV-ItPgZSnhfU1suSDbJgXvHpJ81QWTMrIjiQbsDlUngfY41-dlOr_RB2u0hUOUwA4kLZ5MRat/s1024/ribera-st-jerome-et-l-ange-1626.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="José de Ribera - Saint Jérôme et l'ange,1626" border="0" data-original-height="1024" data-original-width="623" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMGTJIVBQSIaYb0vVg5thO7Sk8rSdAK3vZmkBH-BqdmVNlq6Ckn0YRFrDfoQjZ6epT4kbwO4oYL6CoKM1WHuuAJX0BdUA7i1_LspzuVfBauvk-omJV-ItPgZSnhfU1suSDbJgXvHpJ81QWTMrIjiQbsDlUngfY41-dlOr_RB2u0hUOUwA4kLZ5MRat/w258-h425/ribera-st-jerome-et-l-ange-1626.jpg" title="José de Ribera - Saint Jérôme et l'ange,1626" width="258" /></a></div><br /><b>José de Ribera - Saint Jérôme et l'ange,1626</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile - 164 x 262 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b>Musée Capodimonte,Naples</b></div><br />berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-66268979219425077712023-05-24T20:52:00.000+02:002023-05-24T20:52:49.858+02:00Giovanni Bellini<p><b> <span style="font-size: large;">Giovanni Bellini</span> v.1435-1516</b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiemc6xFMiU7OLQ1f9sFBHue2apkIIt2RbQZvaxLp5xBKT_UHsjd8IM6wNgRXc5tmdRv_6K3ot-Q_3eybmDOMQMrbY6ZdAuSfehNk6xivwYpl7hj4Pr3KRRZOTGSEAbDk3lgVjQerB6Xw5Hih1xVyV_My39abA_bWhDRpdvC5JA_TPbHbLESm3_MT6/s700/bellini_gentile_la_anunciacion_38_1930.9fotoh_gextensa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="657" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiemc6xFMiU7OLQ1f9sFBHue2apkIIt2RbQZvaxLp5xBKT_UHsjd8IM6wNgRXc5tmdRv_6K3ot-Q_3eybmDOMQMrbY6ZdAuSfehNk6xivwYpl7hj4Pr3KRRZOTGSEAbDk3lgVjQerB6Xw5Hih1xVyV_My39abA_bWhDRpdvC5JA_TPbHbLESm3_MT6/s320/bellini_gentile_la_anunciacion_38_1930.9fotoh_gextensa.jpg" width="300" alt=" Giovanni Bellini -Annonciation,vers 1464-1465 " title=" Giovanni Bellini -Annonciation,vers 1464-1465 " /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Giovanni Bellini -Annonciation,vers 1464-1465</b></div><div class="separator" style="clear: both; text-align: center;"><b>Tempera et or sur bois</b></div><div class="separator" style="clear: both; text-align: center;"><b>Museo Thyssen - Bornemisza,Madrid</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><br /><p><br /></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-2525392719614530102023-05-14T07:03:00.004+02:002023-05-14T07:26:47.992+02:00El Greco - Saint Francis receiving the stigma,1590-1595.<p><b><span style="font-size: large;">El Greco</span> 1541-1614</b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sIooufq8sdlcLvRfCbFYr6cJsLeSQFdUVepi_Z4neCqapyySjqy--3J2flYMI1yeTx9L2o8-zy9EiyQh6UQO5MNutnH9xeanvxrN5Jy1o0gIlEKRWJ9D88--Y_kjzLJbOt7ZwT5YW0VqxDFrLI-LQJqUwf3Zr75PPVbe3HKa88BrQa6Cvgnmc6IL/s670/2516.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="El Greco - Saint Francis receiving the stigma,1590-1595." border="0" data-original-height="670" data-original-width="620" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sIooufq8sdlcLvRfCbFYr6cJsLeSQFdUVepi_Z4neCqapyySjqy--3J2flYMI1yeTx9L2o8-zy9EiyQh6UQO5MNutnH9xeanvxrN5Jy1o0gIlEKRWJ9D88--Y_kjzLJbOt7ZwT5YW0VqxDFrLI-LQJqUwf3Zr75PPVbe3HKa88BrQa6Cvgnmc6IL/w326-h352/2516.webp" title="El Greco - Saint Francis receiving the stigma,1590-1595." width="326" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>El Greco - Saint Francis receiving the stigma,1590-1595.</b></div><div class="separator" style="clear: both; text-align: center;"><b>Oil on canvas - </b></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #707070;"><span style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures;"><b><a href="https://www.nationalgallery.ie/art-and-artists/highlights-collection/mindfulness-and-art/mindfulness-and-art-saint-francis" rel="nofollow" target="_blank">The National Gallery of Ireland,Dublin</a></b></span></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; color: #707070; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHqepqi_lxfQYRtqcnS5UXEl0f24wDJnyXpB4YRwXEvS6xnpECd0TBcSnk3ZXE__LmtP4xv0LRq2C2RABUwhw0Kq3kLyM2UmviwOr1s_WXCXdMN-KH6ERhpDBp00c9iGnLenZz-iTTkBN0IN1Whuit5hG7OVk4pMG6uV1463HsG822X6J4L7VS7HsG/s1800/PS4_37.424_Fnt_DD_AT19_6673-tms.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1708" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHqepqi_lxfQYRtqcnS5UXEl0f24wDJnyXpB4YRwXEvS6xnpECd0TBcSnk3ZXE__LmtP4xv0LRq2C2RABUwhw0Kq3kLyM2UmviwOr1s_WXCXdMN-KH6ERhpDBp00c9iGnLenZz-iTTkBN0IN1Whuit5hG7OVk4pMG6uV1463HsG822X6J4L7VS7HsG/w337-h354/PS4_37.424_Fnt_DD_AT19_6673-tms.jpg" width="337" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><b>El Greco - </b></span><b>Saint Francis receiving the stigma,1585-1590.</b></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><b>Oil on canvas - 102 x 97 cm</b></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><b><a href="https://art.thewalters.org/detail/6457/saint-francis-receiving-the-stigmata-2/" rel="nofollow" target="_blank">Walters Art Museum,Baltimore</a></b></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><b>Caravaggio 1571-1610 ,A contemporary of El Greco :</b></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh85kLSVtOtPJrcxWmb3wNwxOa4Cg0Xwf3e_ZEPzv4XeE-sXTdBTP8R4DjR8O25U4NhCBCuIuU2it_0lZ828fQ3DOab6ud_0U-OlReh9mLfcuD42N-mCgYNud1jey6kYa-g695hBjx3-rRjsndCOn0GFeSCuUEeWIw8k8faa7mXHEjIjhA196zofceB/s880/2717.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Caravaggio’s ‘remarkable’ Saint Francis of Assisi in Ecstasy, c1595." border="0" data-original-height="638" data-original-width="880" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh85kLSVtOtPJrcxWmb3wNwxOa4Cg0Xwf3e_ZEPzv4XeE-sXTdBTP8R4DjR8O25U4NhCBCuIuU2it_0lZ828fQ3DOab6ud_0U-OlReh9mLfcuD42N-mCgYNud1jey6kYa-g695hBjx3-rRjsndCOn0GFeSCuUEeWIw8k8faa7mXHEjIjhA196zofceB/w354-h257/2717.webp" title="Caravaggio’s ‘remarkable’ Saint Francis of Assisi in Ecstasy, c1595." width="354" /></a></div><br /><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif">Caravaggio’s ‘remarkable’ Saint Francis of Assisi in Ecstasy, c1595. © </span></span></div><div class="separator" style="clear: both; text-align: center;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif" style="background-color: white; font-size: 14px; font-variant-ligatures: common-ligatures; text-align: start;"><span face="GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif">Wadsworth Atheneum Museum of Art</span></span></div><div><br /></div><br /><p><br /></p><p><br /></p><p><br /></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-63615375105549925242023-05-10T06:46:00.000+02:002023-05-10T06:46:16.512+02:00Aelbert Cuyp<p><b><span style="font-size: large;"> Aelbert Cuyp</span> 1620-1691</b></p><p><b>Dordrecht</b></p><p><b>Claude Lorrain</b></p><p><b><br /></b></p><p><br /></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRNPHK4ojEiTXdEGokT3ggzaRUQPH3fe3Ynhq9qxR7ZPmA4KoptXv2Wt-lhhG02iIv2ng7Plh1msFaAxzr7ZPAaI56w-RSpVU4Hsa_06K2XzcR_TunCQpqPVTQmapF7ztCp37Q3BlMMu5BmsTuHPFwz9DZ7OqGCw3AhBnHlJbuSx9y7BqmLW32S7jC/s1599/Aelbert_Cuyp,_Lady_and_Gentleman_on_Horseback_-_crop.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Aelbert Cuyp - lady and gentleman on horseback,1655." border="0" data-original-height="1134" data-original-width="1599" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRNPHK4ojEiTXdEGokT3ggzaRUQPH3fe3Ynhq9qxR7ZPmA4KoptXv2Wt-lhhG02iIv2ng7Plh1msFaAxzr7ZPAaI56w-RSpVU4Hsa_06K2XzcR_TunCQpqPVTQmapF7ztCp37Q3BlMMu5BmsTuHPFwz9DZ7OqGCw3AhBnHlJbuSx9y7BqmLW32S7jC/s320/Aelbert_Cuyp,_Lady_and_Gentleman_on_Horseback_-_crop.jpg" title="Aelbert Cuyp - lady and gentleman on horseback,1655." width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b style="text-align: left;"><span><a href="https://en.wikipedia.org/wiki/Aelbert_Cuyp" rel="nofollow" target="_blank">Aelbert Cuyp</a> - lady and gentleman on horseback,1655.</span></b></div><div class="separator" style="clear: both; text-align: center;"><b style="text-align: left;"><span>oil on canvas - 123 x 172 cm</span></b></div><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="background-color: white; font-size: 14px; text-align: left;"><a href="https://www.nga.gov/collection/art-object-page.1152.html" rel="nofollow" target="_blank">National Gallery of Art, Washington DC</a></span></div><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIQZz93oThVfyFyKGGM5OZIxRO6zegnPF6YPSPn3bs5T5T68arouZSsA4axkbuawMeL9Bn75Qs-2jeYuzhXGhb45uyAjpFj5qhYNHXA016ZNFyg57JJ9dfxU10Lbg4WW8L_ybZ7diwgH67xmmT9rwD9OXwgF16aaN-IUxcsDuhHZXrs7-_NBUBDSZq/s1280/Equestrian_Portrait_of_Cornelis_(1639%E2%80%931680)_and_Michiel_Pompe_van_Meerdervoort_(1638%E2%80%931653)_with_Their_Tutor_and_Coachman_(_Starting_for_the_Hunt_)_MET_DP146442%20(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="891" data-original-width="1280" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIQZz93oThVfyFyKGGM5OZIxRO6zegnPF6YPSPn3bs5T5T68arouZSsA4axkbuawMeL9Bn75Qs-2jeYuzhXGhb45uyAjpFj5qhYNHXA016ZNFyg57JJ9dfxU10Lbg4WW8L_ybZ7diwgH67xmmT9rwD9OXwgF16aaN-IUxcsDuhHZXrs7-_NBUBDSZq/s320/Equestrian_Portrait_of_Cornelis_(1639%E2%80%931680)_and_Michiel_Pompe_van_Meerdervoort_(1638%E2%80%931653)_with_Their_Tutor_and_Coachman_(_Starting_for_the_Hunt_)_MET_DP146442%20(1).jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Metropolitan Museum of Art</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPPFft8KYyX1nz7L7M-6-0L0jfM9qNvBDuUvfQAbXW2f9-tNyy4Jfk3mZJV4kJpKIwBvAlugfre7dUQ2rb16pa6Jy84FtpE00kRE9E0BZdynf9tp3PyIk30bBecFiinca4olhSxTiseAYRgoZYHS4k7hUwvAEsPovsoaISO1k7f9euPCpQwMDU_46E/s1280/1280px-Aelbert_Cuyp_Avenue_at_Meerdervoort.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="897" data-original-width="1280" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPPFft8KYyX1nz7L7M-6-0L0jfM9qNvBDuUvfQAbXW2f9-tNyy4Jfk3mZJV4kJpKIwBvAlugfre7dUQ2rb16pa6Jy84FtpE00kRE9E0BZdynf9tp3PyIk30bBecFiinca4olhSxTiseAYRgoZYHS4k7hUwvAEsPovsoaISO1k7f9euPCpQwMDU_46E/s320/1280px-Aelbert_Cuyp_Avenue_at_Meerdervoort.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Avenue at Meerdervoort</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigktsSpqYC5xCDxO-DngvunvUMfTkCuUmSZsSzq2SrORksjSbWPmOs9S5HgFdS7m0_JIdr50rE68gYYXTCKubhYrB7i4ClfWQXoHVomb3-2za8cdZP7P6Jpjxtc1E7Xh8BAbLSrb1mp6FDyQCk9lNXwGMPnluE3Oj7vSafSUCj78gxs1tFHYJQhZCA/s525/Cuyp,_Aelbert_-_Cattle_near_the_Maas,_with_Dordrecht_in_the_distance_-_Google_Art_Project.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="525" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigktsSpqYC5xCDxO-DngvunvUMfTkCuUmSZsSzq2SrORksjSbWPmOs9S5HgFdS7m0_JIdr50rE68gYYXTCKubhYrB7i4ClfWQXoHVomb3-2za8cdZP7P6Jpjxtc1E7Xh8BAbLSrb1mp6FDyQCk9lNXwGMPnluE3Oj7vSafSUCj78gxs1tFHYJQhZCA/s320/Cuyp,_Aelbert_-_Cattle_near_the_Maas,_with_Dordrecht_in_the_distance_-_Google_Art_Project.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; font-size: 14px; text-align: left;"><span face="arial, sans-serif" style="color: #4d5156;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; font-size: 14px; text-align: left;"><span face="arial, sans-serif" style="color: #4d5156;"><br /></span></span></div><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-10118393496128484102023-04-15T18:26:00.004+02:002023-04-15T18:29:57.677+02:00Suzanne Valadon<p><b><span style="font-size: large;"> Suzanne Valadon</span> 1865-1938</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iWBp3RuBWmWJu0KGVlOyyl4QB9v1RksqE22LiCH0qWnfXWhjQETZzDZiaVr0x7Mx0DLnPD9sYSTqerHY0Xks9Hrm9zyYMBiuMmEaPHi4dwI7Zc-Jejx2lktFc03BkN5ILwtwN0Zr458H-Ls30ev8NPQBFLMCvDf6DLb0DT_uobv_GxjvUBvdRDZi/s1200/webp.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Suzanne Valadon - La chambre bleue,1923." border="0" data-original-height="925" data-original-width="1200" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iWBp3RuBWmWJu0KGVlOyyl4QB9v1RksqE22LiCH0qWnfXWhjQETZzDZiaVr0x7Mx0DLnPD9sYSTqerHY0Xks9Hrm9zyYMBiuMmEaPHi4dwI7Zc-Jejx2lktFc03BkN5ILwtwN0Zr458H-Ls30ev8NPQBFLMCvDf6DLb0DT_uobv_GxjvUBvdRDZi/s320/webp.webp" title="Suzanne Valadon - La chambre bleue,1923." width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.telerama.fr/sortir/suzanne-valadon-de-la-muse-impressionniste-a-la-peintre-sans-concession-7015167.php" rel="nofollow" target="_blank"><br /></a></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://www.telerama.fr/sortir/suzanne-valadon-de-la-muse-impressionniste-a-la-peintre-sans-concession-7015167.php" rel="nofollow" target="_blank">Suzanne Valadon</a> - La chambre bleue,1923.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 90 x 116 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRpXz4mVKLIbKDtjG9a-TFhFWbH9qTmop7WBgIpa_ShxO1MaVtKXfSYhdCqGRseF7DvHYMV1V9pGfOxERqgmscwSBkiwJmrg-4cjkDh2i18tBFoLhD1Ls0eWIv-tgQnN-TA3lvxf_M48KIC_oatBkMWlS-zRALAFlGTif73CvdgrZRxJvi9BOVM_kx/s1594/webp%20(1).webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Suzanne Valadon - Portrait de famille,1912." border="0" data-original-height="1594" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRpXz4mVKLIbKDtjG9a-TFhFWbH9qTmop7WBgIpa_ShxO1MaVtKXfSYhdCqGRseF7DvHYMV1V9pGfOxERqgmscwSBkiwJmrg-4cjkDh2i18tBFoLhD1Ls0eWIv-tgQnN-TA3lvxf_M48KIC_oatBkMWlS-zRALAFlGTif73CvdgrZRxJvi9BOVM_kx/s320/webp%20(1).webp" title="Suzanne Valadon - Portrait de famille,1912." width="241" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Suzanne Valadon - Portrait de famille,1912.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 98 x 73,5 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b>Musée d'Orsay</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlsf5nT6GRo5BhA7vIYstCkOxgF92wqVCLndchLBqbAouRgQkwbZwvQrgPDW9GPf6wz8obXMJONG7SDZn5nNtCuDS1SX-UD_mvtamD5NtSZ_tL_30RwpenFIyrNrjvAY9D97Dl9VFsnds4RwSRQP5IXCFFt8-e7BpKCig8qfA_f25qaeJudi1jX0yU/s1200/webp%20(2).webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="1200" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlsf5nT6GRo5BhA7vIYstCkOxgF92wqVCLndchLBqbAouRgQkwbZwvQrgPDW9GPf6wz8obXMJONG7SDZn5nNtCuDS1SX-UD_mvtamD5NtSZ_tL_30RwpenFIyrNrjvAY9D97Dl9VFsnds4RwSRQP5IXCFFt8-e7BpKCig8qfA_f25qaeJudi1jX0yU/s320/webp%20(2).webp" width="320" /></a></div><br /><div class="separator" style="clear: both;"><b>Suzanne Valadon - </b></div><div class="separator" style="clear: both;"><b>huile sur toile</b></div></div><div class="separator" style="clear: both; text-align: center;"><b>The Metropolitan Museum of Art,N.Y.</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH1WAoPpxUe6fAgkYyMvGZRdAiOv3y2X_C6MtAyzTtkUdQpXMu62KsofGKk4EkjRKSTGmPKhT_CfqAVI6kXTTzHsrNPKmu2wJnZsnbw59hUV4zVRepgEPZYrE4y70MDbT0u65aB5_FkNXeqXwWcjDVgYy39EqOTPbTyvMKhEmLozUEJXfhsyoFMAsY/s1000/Die-fette-Maria-Venus-vom-Montmatre-Henri-de-Toulouse-Lautrec-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH1WAoPpxUe6fAgkYyMvGZRdAiOv3y2X_C6MtAyzTtkUdQpXMu62KsofGKk4EkjRKSTGmPKhT_CfqAVI6kXTTzHsrNPKmu2wJnZsnbw59hUV4zVRepgEPZYrE4y70MDbT0u65aB5_FkNXeqXwWcjDVgYy39EqOTPbTyvMKhEmLozUEJXfhsyoFMAsY/s320/Die-fette-Maria-Venus-vom-Montmatre-Henri-de-Toulouse-Lautrec-1.jpg" width="250" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Henri de Toulouse Lautrec - La grosse Marie</div><div class="separator" style="clear: both; text-align: center;">Venus de Montmartre</div><div class="separator" style="clear: both; text-align: center;">( Suzanne Valadon comme modèle)</div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSL5yeMIdNUrNXN8wLJk0CH9eXKBdg6wvW-rqVPuis-Ae6JDfLPwO-5O25zpJAwClrTcrLIHplWIo_ZnNzKGpqQMFcJebdHJSnOxtbYg2U-lrP2lTmBWELReBYOxPYJgodT-S7dY13kQW0C2z388ca138jKegZu6MOyNuB39FdpVBZ6N8SVpAW3fcb/s662/17-adam-et-eve-1909.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="662" data-original-width="525" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSL5yeMIdNUrNXN8wLJk0CH9eXKBdg6wvW-rqVPuis-Ae6JDfLPwO-5O25zpJAwClrTcrLIHplWIo_ZnNzKGpqQMFcJebdHJSnOxtbYg2U-lrP2lTmBWELReBYOxPYJgodT-S7dY13kQW0C2z388ca138jKegZu6MOyNuB39FdpVBZ6N8SVpAW3fcb/s320/17-adam-et-eve-1909.webp" width="254" /></a></div><br /><div class="separator" style="clear: both;"><b>Suzanne Valadon - Adam et Eve</b></div><div class="separator" style="clear: both;"><b>huile sur toile</b></div><div class="separator" style="clear: both;"><b><br /></b></div><div class="separator" style="clear: both;"><b>Il s'agit de </b><b>Suzanne Valadon et de son amant </b></div><div class="separator" style="clear: both;"><b>le peintre André Utter de 20 ans son cadet.</b></div><div class="separator" style="clear: both;"><b><br /></b></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzFJM7JlgJHJghlDIKjkZw38aNj5CD5wyEiwMQsxIjqkgKgNrIfvhfQuOeDHzuHFZEMJgkBZo-n5odRM2i3RTQ4aayxNXeqtJcMOEcqb0K559R0ovGdlFhL1ZGBahwusbA6kF4XFC-_tMlMGiNIHezeF-KkdeUoi7nWUuMe4ieawOMwuVbktddvfh6/s600/65.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Suzanne Valadon -Marie Coca et sa fille,1913." border="0" data-original-height="600" data-original-width="480" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzFJM7JlgJHJghlDIKjkZw38aNj5CD5wyEiwMQsxIjqkgKgNrIfvhfQuOeDHzuHFZEMJgkBZo-n5odRM2i3RTQ4aayxNXeqtJcMOEcqb0K559R0ovGdlFhL1ZGBahwusbA6kF4XFC-_tMlMGiNIHezeF-KkdeUoi7nWUuMe4ieawOMwuVbktddvfh6/s320/65.webp" title="Suzanne Valadon -Marie Coca et sa fille,1913." width="256" /></a></div><br /><div class="separator" style="clear: both;"><b>Suzanne Valadon -Marie Coca et sa fille,1913.</b></div><div class="separator" style="clear: both;"><b>huile sur toile</b></div></div><div class="separator" style="clear: both;"><b><br /></b></div></div><br /><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><b><br /></b><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-21078771252220606062023-03-22T08:11:00.000+01:002023-03-22T08:11:14.999+01:00Paul Cezanne - Bathers '(les grandes baigneuses)<p><b><span style="font-size: large;"> Paul Cezanne</span> 1839-1906</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBLstLKgQVzYmRi-_rhFlQBVHRc0O3YjkevxO7bajWwvUSedaCQR6p5z4lxqIS09FljT5_GUZ6ElY_1tspqghsUW8MinVZ9HNXPWMTmaekvcwOXkqUEnUMppFHekmN3Pg1K2bhcbsg6-KqlOhbRgGmhMJ4YAnxsvLUajnryKPSvsyqsrBiLQkJH8i/s1020/2538.webp" style="margin-left: 1em; margin-right: 1em;"><img alt="Paul Cezanne- Bathers ( les grandes baigneuses)" border="0" data-original-height="709" data-original-width="1020" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBLstLKgQVzYmRi-_rhFlQBVHRc0O3YjkevxO7bajWwvUSedaCQR6p5z4lxqIS09FljT5_GUZ6ElY_1tspqghsUW8MinVZ9HNXPWMTmaekvcwOXkqUEnUMppFHekmN3Pg1K2bhcbsg6-KqlOhbRgGmhMJ4YAnxsvLUajnryKPSvsyqsrBiLQkJH8i/w447-h310/2538.webp" title="Paul Cezanne- Bathers ( les grandes baigneuses)" width="447" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Paul Cezanne- Bathers ( les grandes baigneuses)</b></div><div class="separator" style="clear: both; text-align: center;"><b>Oil on canvass- about 1894-1905</b></div><div class="separator" style="clear: both; text-align: center;"><b>The National Gallery,London</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><br /><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>Around 200 of Cézanne’s works depict male and female nude bathers, either singly or in groups, in a landscape. The earliest dates from the 1870s. This large painting is one of three pictures of female bathers that Cézanne worked on during the final decade of his life. The largest of all his paintings, they represent the culmination of his lifelong investigation of this subject and the climax of his entire career. They were hugely influential on early twentieth-century modern art, particularly Cubism, and had a lasting impact on Picasso and Matisse.</b></p><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>The precise dating of the pictures is difficult. It’s possible that Cézanne worked simultaneously on all three canvases, beginning in the mid-1890s and continuing until his death in 1906, as each shows evidence of reworking. The first of the three, possibly begun in 1895 and of a similar size to the National Gallery’s picture, is now in the Barnes Foundation, Philadelphia. The National Gallery’s painting is generally acknowledged to be the second to have been started. It may date from 1898–9 and was finished in 1905. As he worked on the picture, Cézanne decided to reduce the area of sky and folded the top of the canvas over the stretcher on which it was mounted, which only became apparent when the picture was re-stretched long after his death. The third picture is now in the Philadelphia Museum of Art and relates most closely to the work in the National Gallery. Perhaps painted relatively quickly in the last months of Cézanne’s life, it was left unfinished with areas of canvas still showing through.<span></span></b></p><a name='more'></a><p></p><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>All three pictures draw upon a classical tradition of pastoral scenes of nude or semi-nude figures in an idealised landscape, which extended from the Renaissance to artists such as Manet and Renoir. More particularly, they recall paintings of bathing nymphs and pagan goddesses, especially sixteenth-century Venetian mythological scenes such as Titian’s <span class="dokuwiki_italic" style="box-sizing: border-box; font-style: italic;">Diana and Actaeon</span> and <span class="dokuwiki_italic" style="box-sizing: border-box; font-style: italic;">Diana and Callisto</span>. However, Cézanne’s paintings have no mythological narrative or literary source, nor are any men present. The locations are unspecified, although the landscapes recall Provence, where Cézanne lived.</b></p><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>Of the three paintings, the National Gallery’s is arguably the strongest and simplest in composition. It is also the most fully painted and richly coloured. We are looking at a frieze-like group of 11 nude women relaxing in a woodland glade beneath an azure sky. The picture does not include the water in which the women bathe. Placed before them is a still life and a black dog. Several of the women have their backs towards us, and their faces are either mask-like or turned away. Filling the foreground, most of them lean in towards the middle of the picture. The strong diagonals of their bodies form the base of a pyramid that has echoes of Mont Sainte-Victoire overlooking Aix-en-Provence (where Cézanne was born), which the artist painted numerous times. Although each woman is distinct, they also form a single, almost sculptural mass. Throughout the picture, space is flattened and compressed. Cézanne has not used the conventions of atmospheric recession to create, for example, an effect of a distant sky that becomes paler towards the horizon – indeed, the blue here becomes darker nearest the clouds. The brilliant blue of the sky is as intense as other areas of the picture, and Cézanne has undone perspective by making the sky and clouds as substantial as the earth, trees and women.</b></p><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>Touches of blue are repeated throughout the picture. These not only represent dappled light, but contrast with warmer areas of orange, yellow and ochre. Blue also integrates the women with their surroundings, particularly through Cézanne’s use of a broken blue outline, reinforced by black, around each of them. These bodies are not physically separate from the landscape, but are part of it. This merging is especially apparent in the standing woman on the far left of the group. Her pale skin contains emphatic slashes of blue (for example, on her thigh), but her head is dark, its earthy tones close to the grey-brown tree trunk behind it. The diagonal line of that tree is repeated by her left leg, back and neck, just as the line of her right thigh is mirrored by her right forearm and the almost square top of her right shoulder. These lines, particularly the diagonal of her leg and right angle of her arm, are reiterated in the outline of the larger woman seated on the ground to her right.</b></p><p class="dokuwiki_paragraph" style="background-color: white; box-sizing: border-box; color: #4a4a4a; font-family: Roboto, Arial, -apple-system, BlinkMacSystemFont, "Segoe UI", "Helvetica Neue", sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol"; font-size: 16px; margin-bottom: 1rem; margin-top: 0px;"><b>Cézanne’s often crude distortions of the body may in part be the result of his awkwardness in figure drawing. He also admitted to the painter Emile Bernard that he was too shy to hire models when working on these pictures, relying instead on memories from visits to museums and the academic studies of his youth. But these distortions also give the women an architectural quality that harmonises with their surroundings, as seen most obviously in the standing woman on the left. As solid as the ground they lie upon, the women become one with the landscape they inhabit. Cézanne’s last paintings might perhaps be seen as his final celebration of nature and as an idyllic, even utopian, vision of our union with it.</b></p><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-61835048011094920872023-03-16T06:16:00.003+01:002023-03-16T06:16:53.096+01:00Nicolas Poussin - La fuite en Egypte<p><span style="font-size: large;"> </span><b><span style="font-size: large;">Nicolas Poussin</span> 1594-1665</b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwBfVy6Eewcj_kABR1HOmN4MSpoq0KtkBL64fyZanx31wESaggYAB2j17nXqG_C3H5UMFaCU4q5mVSZoLCl4SYfueMypl36U5_ih26B0VGoMWeNsevaFkUIAdYpYK6-mYkqqPDi5Y7kPebd1mUGWIPKVkwQdqUd_sMDsPU4o6og8zfzJ9Ol8xi0lIn/s3000/poussin_fuite_egypte.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2191" data-original-width="3000" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwBfVy6Eewcj_kABR1HOmN4MSpoq0KtkBL64fyZanx31wESaggYAB2j17nXqG_C3H5UMFaCU4q5mVSZoLCl4SYfueMypl36U5_ih26B0VGoMWeNsevaFkUIAdYpYK6-mYkqqPDi5Y7kPebd1mUGWIPKVkwQdqUd_sMDsPU4o6og8zfzJ9Ol8xi0lIn/w427-h312/poussin_fuite_egypte.jpg" width="427" alt=" Nicolas Poussin - La fuite en Egypte,1657-58 " title=" Nicolas Poussin - La fuite en Egypte,1657-58 " /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Nicolas Poussin - La fuite en Egypte,1657-58</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 98 x 133 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://www.mba-lyon.fr/fr/fiche-oeuvre/la-fuite-en-egypte" rel="nofollow" target="_blank">Lyon,musée des beaux arts</a></b></div><p></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-86063782566904598932023-03-16T05:59:00.002+01:002023-03-16T06:07:32.690+01:00Manet -Argenteuil<p><b><span style="font-size: large;"> Edouard Manet</span> 1832-1883</b></p><p><b><br /></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtr25zuK45Bl6FQUBhI-DciebAK1_3B8Ovc0OUH1LLhrNWpyF8OVPQSbrLB8JFwHEEaJjVE9MKYLnL9la9UFYyZayz5jHXHyY7ifEemHtjpTjFWgxAtCU_Kga9Az-vGLmEsyM-3Dl8H-CoIUfOaWDtaTpBxu74W59usenuJ4Fmm7WIaQ2rcsxtbUea/s2812/Edouard_Manet_003.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Edouard Manet -Argenteuil,1874." border="0" data-original-height="2812" data-original-width="2153" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtr25zuK45Bl6FQUBhI-DciebAK1_3B8Ovc0OUH1LLhrNWpyF8OVPQSbrLB8JFwHEEaJjVE9MKYLnL9la9UFYyZayz5jHXHyY7ifEemHtjpTjFWgxAtCU_Kga9Az-vGLmEsyM-3Dl8H-CoIUfOaWDtaTpBxu74W59usenuJ4Fmm7WIaQ2rcsxtbUea/w345-h450/Edouard_Manet_003.jpg" title="Edouard Manet -Argenteuil,1874." width="345" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Edouard Manet -Argenteuil,1874.</b></div><div class="separator" style="clear: both; text-align: center;"><b>huile sur toile - 149x114 cm</b></div><div class="separator" style="clear: both; text-align: center;"><b><a href="https://mba.tournai.be/edouard-manet-argenteuil/" rel="nofollow" target="_blank">Tournai,Belgique</a></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><div class="separator" style="clear: both; text-align: left;"><b>Argenteuil correspond à une des premières toiles impressionniste de l'artiste.</b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><b>Un journaliste Du Figaro dit:" Au fond, une marmelade d'Argenteuil sur un fleuve d'indigo."</b><br /><b><br /></b><p></p><p><b><br /></b></p><p><b><br /></b></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-77641306680477807422023-03-14T09:29:00.001+01:002023-03-14T09:29:35.749+01:00Johannes Vermeer Diana and her Nymphs c. 1653-1654 Non visible<p><b><span style="font-size: large;">Johannes Vermeer</span> 1632-1675</b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16GqQ3N6qWqzM8B-0iiLiAc3eCUxo4xyTZzwLV6u6ndYTjHANwZNchir8wWtyVfCNjkyynxPvCCCqWzHbARMu-JQKnwDdC4StFuJ20RHa9MnVO_NgKG3kIqyXqxnkGfcuqLyo70gHH9MWa3SzO71a5jL1JE9QwDcdaSipwuOpsNckHEE2DKHWCVea/s800/800px-Vermeer_-_Diana_en_haar_gezelschap_(19th_version_with_a_blue_sky).jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Johannes Vermeer - Diana and her nymphs,1653-1654" border="0" data-original-height="742" data-original-width="800" height="335" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16GqQ3N6qWqzM8B-0iiLiAc3eCUxo4xyTZzwLV6u6ndYTjHANwZNchir8wWtyVfCNjkyynxPvCCCqWzHbARMu-JQKnwDdC4StFuJ20RHa9MnVO_NgKG3kIqyXqxnkGfcuqLyo70gHH9MWa3SzO71a5jL1JE9QwDcdaSipwuOpsNckHEE2DKHWCVea/w361-h335/800px-Vermeer_-_Diana_en_haar_gezelschap_(19th_version_with_a_blue_sky).jpg" title="Johannes Vermeer - Diana and her nymphs,1653-1654" width="361" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><b><div style="text-align: center;"><b>Johannes Vermeer - <a href="https://www.mauritshuis.nl/fr/decouvrir-la-collection/oeuvres-d-art/406-diana-and-her-nymphs/" rel="nofollow" target="_blank">Diana and her nymphs</a>,1653-1654</b></div><div style="text-align: center;">oil on canvas - 98 x 105 cm</div><div style="text-align: center;"><b>Mauritshuis,The Hague</b></div></b><p><br /></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px 0px 1em; padding: 0px;"><span style="background-color: white;">Johannes Vermeer painted <em style="box-sizing: border-box; margin: 0px; padding: 0px;">Diana and Her Nymphs</em> around 1653-1654, just after joining the painters’ guild in Delft. The scene emanates a salutary atmosphere of tranquillity. Five women have gathered in a clearing in the woods, each one absorbed in her own thoughts. Diana is seated in the centre, recognisable by her standard attribute of a crescent moon on her head. The kneeling woman is solicitously washing Diana’s feet, watched by the dog on the left. The woman in the red blouse beside Diana is rubbing her foot. The woman who is standing, dressed in black, gazes at the ground. The fifth woman, on the left, has her back to us. Although the subject matter, the large figures filling the picture plane, and the warm colouring of this painting all differ from Vermeer’s later interiors, its subdued, dreamy atmosphere does strike a similar chord.</span></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px 0px 1em; padding: 0px;"><span style="background-color: white;">In classical mythology, Diana is a daughter of Jupiter and Leto and Apollo’s twin sister. She is the virginal and youthful moon goddess and the goddess of hunting. She is usually depicted in the open countryside, accompanied by her devoted nymphs. Painters would often depict the story about the huntsman Actaeon, who unintentionally comes upon Diana and her nymphs while bathing. To punish him for looking at her she changes him into a stag, after which his own dogs kill him. Another popular tale focuses on the discovery that one of Diana’s nymphs, Callisto, is pregnant (by Jupiter). The chaste Diana punishes the pregnant nymph by turning her into a bear. We do not encounter any such violent, emotional scenes in Vermeer. The women depicted here are taking a moment’s repose.</span></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px 0px 1em; padding: 0px;"><span style="background-color: white;">There has been much speculation about why the young Vermeer, whose fame today rests on his interior scenes, should have begun his career by painting a number of history pieces. The answer may perhaps be found in seventeenth-century handbooks on art, which always discuss history pieces with especial esteem. Before painting a history piece – whether it represented a story from classical mythology, the Bible, or history – the artist had to read the story, choose a particular episode to depict, devise a good composition, and finally render the events with all due decorum. In other words, he would have to give a great deal of thought to his work before picking up the paintbrush.</span></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px 0px 1em; padding: 0px;"><span style="background-color: white;">The picture’s intimate character is heightened by the dark, enclosing background. That this was the artist’s intention did not become clear until the most recent conservation treatment of the painting in 1999–2000. Until that time, blue sky and clouds filled the upper right section of the canvas. Technical research has shown that this sky could not have been original, since the paint was found to contain the pigments Prussian blue and chrome green, which were not available in Vermeer’s day. It must therefore be a later overpainting. It was decided to reconstruct the original state by covering the blue sky with a thin, neutral overpainting in a dark brow tone in keeping with the rest of the background. Now that the sky at the upper right is obscured, the light falling onto the figures from the left gains in importance, clearly revealing how Vermeer played with light and colour. It was also discovered that the canvas had been cropped approximately 12 centimetres on the right hand side. The woman kneeling at the lower right must have appeared fully in the picture, making the composition more balanced and placing the focus on Diana’s foot-washing.</span></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px 0px 1em; padding: 0px;"><span style="background-color: white;"><em style="box-sizing: border-box; margin: 0px; padding: 0px;">Diana and Her Nymphs</em> was purchased at a Paris sale on 4 May 1876 for the relatively modest price of 10,000 French francs. The painting was attributed at the time to Nicolaes Maes, a pupil of Rembrandt’s. During restoration work in 1885 it was discovered that the monogram of Nicolaes Maes, ‘N.M.’, was a forgery, and that the signature ‘J VMeer’ lay underneath it.</span></p><p><span style="background-color: white;"><span class="mw-mmv-source" face="sans-serif" style="font-size: 13.6px;"></span></span></p><p style="box-sizing: border-box; font-family: Relative, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 16px; margin: 0px; padding: 0px;"><span style="background-color: white;">(this is a reworked version of a text published in in: P. van der Ploeg, Q. Buvelot, <em style="box-sizing: border-box; margin: 0px; padding: 0px;">Royal Picture Gallery Mauritshuis: A princely collection</em>, The Hague 2005)</span></p>berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0tag:blogger.com,1999:blog-904578574338993494.post-41036036200466778022023-03-05T10:06:00.003+01:002023-03-05T10:06:47.950+01:00clara peeters<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYjQOrgM3iXnrWRCmn_Bh1QDo02cKQBXyOH2cbWZa1F4CCTAtyytjOAqBKSMGWtP6nvwPRYCs1ZmzN1Tvd973EBx7eyrdqhOifSCwAo9gLISvjkpw_llwzqRSO8u0F0iDuGmxVR77NKUw/s1600/nm.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1178" data-original-width="1600" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYjQOrgM3iXnrWRCmn_Bh1QDo02cKQBXyOH2cbWZa1F4CCTAtyytjOAqBKSMGWtP6nvwPRYCs1ZmzN1Tvd973EBx7eyrdqhOifSCwAo9gLISvjkpw_llwzqRSO8u0F0iDuGmxVR77NKUw/s400/nm.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><dt style="background-color: white; border: 0px; color: #525252; font-family: "Hoefler Text A", "Hoefler Text B"; font-size: 1.375rem; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-weight: bold; line-height: inherit; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><em style="border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Table with Cloth, Salt Cellar, </em></dt><dt style="background-color: white; border: 0px; color: #525252; font-family: "Hoefler Text A", "Hoefler Text B"; font-size: 1.375rem; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-weight: bold; line-height: inherit; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><em style="border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Gilt Standing Cup, Pie, Jug,</em></dt><dt style="background-color: white; border: 0px; color: #525252; font-family: "Hoefler Text A", "Hoefler Text B"; font-size: 1.375rem; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><em style="border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b> Porcelain Plate with Olives and Cooked Fowl</b></em></dt><dd style="background-color: white; border: 0px; color: #9d9d9d; font-family: "Hoefler Text A", "Hoefler Text B"; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 20px; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><span style="font-size: large;"><b><a href="https://www.museodelprado.es/en/whats-on/exhibition/the-art-of-clara-peeters/e4628dea-9ffd-4632-85c9-449367e86959" rel="nofollow" target="_blank">Clara Peeters</a></b></span></dd><dd style="background-color: white; border: 0px; color: #9d9d9d; font-family: "Hoefler Text A", "Hoefler Text B"; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 20px; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><b>Oil on panel, 55 x 73 cm</b></dd><dd style="background-color: white; border: 0px; color: #9d9d9d; font-family: "Hoefler Text A", "Hoefler Text B"; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 20px; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><b>c. 1611</b></dd><dd style="background-color: white; border: 0px; color: #9d9d9d; font-family: "Hoefler Text A", "Hoefler Text B"; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 20px; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;"><b>Madrid, Museo Nacional del Prado</b></dd></div>
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<br />berniehttp://www.blogger.com/profile/12727931406904801752noreply@blogger.com0