William Hogarth 1697-1764
A harlot's progress 1732
A rake's progress 1735Marriage a-la mode 1743-1745 (série de 6 tableaux National Gallery, Londres)
Affichage des articles dont le libellé est graveur. Afficher tous les articles
Affichage des articles dont le libellé est graveur. Afficher tous les articles
mardi 2 octobre 2018
lundi 21 novembre 2016
mardi 10 février 2015
Martin Rowson parle du Londres de Hogarth
Martin Rowson 1959-...
William Hogarth 1697-1764
William Hogarth 1697-1764
William Hogarth
Beer Street 1751
Etching and engraving
38 x 32,1 cm
William Hogarth
Stage of cruelty;First stage of cruelty 1751
Etching and engraving
38 x 32,1 cm
mardi 20 janvier 2015
James Gillray - The Taming of the shrew,1791
Libellés :
caricaturiste,
graveur,
james gillray
James Gillray 1756/1757-1815
The Taming of the shrew
( la mégèere apprivoisée 1594 - Shakespeare 1564- 1616)
Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse's tail; a gaunt figure representing the old order in France and Leopold II render assistence to Catherine by preventing her from falling to the ground.
According to Wright & Evans, Historical and Descriptive Account of the Caricatures of James Gillray (1851) p. 33, "On the attempted intermediation of Great Britain, backed by Prussia and Holland, between Russia and Turkey, in the spring of 1791. Austria and France are giving encouragement to the Empress Catharine. Turkey, which was suffering severely, takes shelter behind Pitt and his supporters, who have ridden rather roughly the Hanoverian horse."
( la mégèere apprivoisée 1594 - Shakespeare 1564- 1616)
Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse's tail; a gaunt figure representing the old order in France and Leopold II render assistence to Catherine by preventing her from falling to the ground.
According to Wright & Evans, Historical and Descriptive Account of the Caricatures of James Gillray (1851) p. 33, "On the attempted intermediation of Great Britain, backed by Prussia and Holland, between Russia and Turkey, in the spring of 1791. Austria and France are giving encouragement to the Empress Catharine. Turkey, which was suffering severely, takes shelter behind Pitt and his supporters, who have ridden rather roughly the Hanoverian horse."
vendredi 15 novembre 2013
David Hocney peintre mais aussi graveur
Libellés :
david hockney,
graveur,
painter,
peintre,
printmaker
David Hocney 1937-...
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