Lucas Cranach l’Ancien (1472-1553) - The Nymph of the Spring

Lucas Cranach the Elder

The Nymph of the Spring
c. 1537 – óleo sobre painel – 48,4 x 72,8 cm.
Lucas Cranach the Elder

National Gallery of Art. Washington DC

Inscription

upper left: FONTIS NYMPHA SACRI SOM: / NVM NE RVMPE QVIESCO (I am the Nymph of the Sacred Spring. Do not disturb my sleep. I am resting.); to the right of the inscription, the artist's device, a serpent with folded wings holding a ring in its mouth, facing left

détail:

Lucas Cranach the Elder - alégorie de la justice

exposition à Bruxelles:




Découvrez "Le monde de Lucas Cranach au Bozar à Bruxelles sur Culturebox !

A. Schönberg - (1/3) Variations for Orchestra, Op. 31 - Introduction, Theme, Variations I - V

Henri Matisse 1869-1954

quelques oeuvres d'Henri Matisse

Cantata BWV 131 - 'Aus der Tiefen rufe ich, Herr, zu dir'

Lucas Cranach the Elder, Nymph of the Fountain

Lucas Cranach the Elder, Nymph of the Fountain, 1518. 

Oil on wood, 59 x 92 cm.

Museum der Bildenden Künste, Leipzig.

Gustave Courbet - Woman with White Stockings - c. 1861

oil on canvas, 65 x 84 cm

Barnes Foundation   Merion, PA, USA

Paul Cézanne - Les grandes baigneuses

Les grandes baigneuses, Paul Cézanne 1839-1906

127.2 x 196.1 cm

Huile sur toile,1894-1905

National Gallery, Londres

Museum of Art,Philadelphia
huile sur toile,208 × 249 cm

Estate of Paul Cézanne, 1906; purchased by Ambroise Vollard, Paris from Cezanne's son, 1907; Auguste Pellerin (1852-1929), Paris, by 1923; by descent to his son Jean-Victor Pellerin, Paris, 1929-1936 [1]; with Wildenstein & Co., New York, acting as agent for Pellerin, 1936 [2]; sold to PMA, July 6, 1937 [3]. 1. Lent by M. and Mme. Pellerin to the 1936 exhibition "Cézanne", Musée de l'Orangerie, Paris, no. 107. 2. Provenance per John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné, New York, 1996, no. 857. See also Joseph Rishel, Cézanne in Philadelphia Collections, Philadelphia, 1983, p. xvi. 3. Copy of dated receipt in registrar file.

Paul Cézanne, Les Baigneuses,
 huile sur toile, 1874, Metropolitan Muséum of Art, New york.

François Rabelais Gargantua illustré par Albert Robida

Jean-Siméon Chardin. Jar of Apricots

Jean-Baptiste Siméon Chardin (1699–1779) 
Bocal d’abricots 
1758 
huile sur toile 
57,2 x 50,8 cm 
Musée des beaux-arts de l'Ontario, Achat 1962 

Joan Miró

Joan Miró 1893-1983

Joan Miró: Catalan Landscape (The Hunter), 1923-24

Sandro Botticelli (1445-1510)-Simonetta Vespucci

Tempera auf Holz, 82 × 54 cm, c. 1480-1485

 Frankfurt am Main

Lucas Cranach l’Ancien (1472-1553) - les trois grâces

prix :  seulement 4 millions d'euros !

Louis XII

Entrée de Louis XII  à Gênes reconquise  en mai 1507a

(

(Sur les deux heureux voyages de Gênes et Venise victorieusement mys à fin par le très chrestien roy Loys douziesme de ce nom : père du peuple, et véritablement escriptz par iceluy Jan Marot de Caen -peintre  Jean Bourdichon)

sNé à Blois en 1462, mort à Paris en 1515, Louis d’Orléans futur Louis XII est le fils du poète Charles d’Orléans et de Marie de Clèves, petit fils de Louis d’Orléans et de Valentine Visconti. Il devient duc d’Orléans à la mort de son père en 1465.

biographie:  

Louis XII 1498-1515    Didier Le Fur    éditions Perrin

Louis XII Bernard Quilliet   éditions fayard

           

James Gillray - Lady Godina's Rout;—or—Peeping-Tom spying out Pope-Joan

James Gillray  1757-1815


Lady Godina's Rout;—or—Peeping-Tom spying out Pope-Joan

SUMMARY: A fashionable crowd playing cards at two tables. In the foreground, four people playing the game Pope-Joan. One of the women is wearing a loose fitting semi-transparent dress with her breasts exposed. Behind her, peering down her dress, is a man who is about to cut off a candle due to his distracted state. Rear view of a fat woman dominates the left side of the picture.


MEDIUM: 1 print : etching, hand-colored.


CREATED/PUBLISHED: [London] : H. Humphrey, 1796 March 12th.


According to the National Portrait Gallery of the UK, the caricature refers to Lady Georgiana Gordon (1781–1853), Duchess of Bedford from 1803 until her death; the title and the lecherous servant refer to Lady Godiva. Pope-Joan is a card game; Lady "Godina" is holding the diamond nine, which is called the "Pope" in that game. The man sitting on Lady "Godina"'s right is John Sneyd (1763–1835); the fat woman sitting on her left is Albinia, Countess of Buckinghamshire (died 1816).

Marilyn Monroe 1926-1962

Bernarda Fink sings "Songs my mother taught me" by Antonín Dvořák

Antonin Dvorak 1841-1904

titien 1490-1576 - Venus et Adonis

huile sur toile,1553,186 × 207 cm

Museo del Prado, Madrid

titien 1490-1576 - A Sacra Conversazione

Titien (Tiziano  en italien  Titian  en anglais )

Part of Titian's painting A Sacra Conversazione: (ca.1560)

The Madonna and Child with Saints Luke and Catherine of Alexandria.


http://www.guardian.co.uk/artanddesign/2010/nov/01/sothebys-auction-titian-painting