Jean-Simeon Chardin - Le buffet,1728

 Jean-Simeon Chardin 1699-1779 (80ans)

Jean-Simeon Chardin - Le buffet,1728

Jean-Simeon Chardin - La raie,1728.

Chardin présente les tableaux le buffet et la raie 

comme morceau de réception à l'académie royale en 1728.

Chardin - autoportrait 1771

musée du Louvre

Conferencia: El bodegón, un nuevo tema pictórico del Barroco

Jan van de Velde III - Nature morte avec verre de bière

Jan van de Velde III 1620-1682

Jan van de Velde III - nature morte avec verre de bière, 1647.

huile sur toile - 64 x 59 cm

Rijksmuseum, Amsterdam

Stilleven met hoog bierglas. Op een tafel staan bijeen: een pasglas met bier, een tinnen bord met een citroen en een mes, een sinaasappel, een omgevallen tinnen kan, een Chinees bord met peperkorrels, een laag glas met bier, enkele oesters en noten en een pijp met een vuurtestje en tabak.

nature morte avec un grand verre de bière. Sur une table, on trouve ensemble : un verre de bière, une assiette en etain,avec un citron et un couteau, une orange, un pot en etain couché, uneassiette de porcelaine chinoise avec des grains de poivre, un verre de bière bas,quelques huitres et une pipe avec du tabac.

Jan van de Velde III -

 Still life with roemer, flute glass, earthenware jugand pipes, 1651.

huile sur toile - 69 x 89,5 cm

Rijksmuseum, Amsterdam

Jan van de Velde III -

 Still life with roemer and pipes,1658.

huile sur toile - 36 x 32,5 cm

Rijksmuseum, Amsterdam

Adriaen Coorte - trois nèfles et un pâpillon

Adriaen Coorte  1665-1707

Adriaen Coorte - trois nèfles et un pâpillon,1705.
( three medlars and a butterfly )
27 x 20 cm
Collection privée

Adriaen Coorte - Nature morte avec cinq coquillages,1706.
Musée du Louvre
15 x 22 cm

Adriaen Coorte - différents tableaux d'asperges

Adriaen Coorte ca.1665-1707

peintre hollandais du XVIIième siècle spécialisé dans la peinture de natures mortes.

Adriaen Coorte - Asperges,1697.

Rijksmuseum

Adriaen Coorte - Coquillages,1697.
Dordrechts museum,Dordrecht

Adriaen Coorte - Asperges
The Ashmolean Museum,Oxford

Adriaen Coorte - Asperges,1703.
huile sur toile - 30 x 23 cm
The Fitzwilliam Museum, Cambridge

Adriaen Coorte

• c.1660–after 1707
• Nationality: Dutch

(active 1683–1707). Dutch still-life painter, active around Middelburg. Nothing is known of his life, and his work was completely forgotten for more than two centuries after his death. Only a handful of paintings by him survive, but they show him to have been one of the most individual still-life painters of his time. They are the complete opposite of the lavish pieces by such celebrated contemporaries as Jan van Huysum and Rachel Ruysch, for they are small in scale and depict a few humble objects, characteristically placed on a bare ledge. The intensity of his scrutiny is such, however, that they take on something of the mystical quality of the still lifes of Sánchez Cotán or Zurbarán, and the hovering butterfly that Coorte sometimes incorporates in his work may have allegorical significance. One of his favourite subjects was a bundle of asparagus (examples in the Rijksmuseum, Amsterdam; the Fitzwilliam Mus., Cambridge; and the Ashmolean Mus., Oxford).

Floris van Schooten - Le petit déjeuner ( ontbijt )

Floris van Schooten  1588/1590-1656 Haarlem 

Floris van Schooten - Le petit déjeuner ( ontbijt )

huile sur panneau - 50 x 82 cm

Anvers,Musée royal des beaux-arts

Pieter Claesz - Nature morte avec tourte ( turkey pie),1627.

huile sur toile
Rijksmuseum

Floris Claesz Van Dyck  - Nature morte

Henri Matisse - Nature morte aux asphodèles, 1907

Henri Matisse 1869-1954

Henri Matisse

Nature morte aux asphodèles, 1907

Stillleben mit Affodillen

Museum Folkwang, Essen

Paul Cézanne

Paul Cézanne 1839-1906

Paul Cézanne - Still Life with Apples and a Pot of Primroses,ca 1890

Oil on canvas

28 3/4 x 36 3/8 in. (73 x 92.4 cm)

Metropolitan Museum of Art de New York 

                                          Paul Cézanne - Apples and Biscuits,1895

Musée de l'Orangerie, Paris, France

Diego Velasquez

Diego Velasquez 1599-1660

Diego Velasquez - le Christ chez Marthe et Marie; 1618
Huile sur toile,  60x103,5 cm
National Gallery, London

la composition ,qui priviligie la nature morte, relègue au second plan la dimension religieuse de l'oeuvre.

The composition is influenced by Flemish paintings and engravings which combine kitchen scenes with biblical subjects.

                                Diego Velasquez -the-toilet-of-venus-the-rokeby-venus,1647-1651

Huile sur toile,  122,5x177 cm

National Gallery, London

The painting is known as 'The Rokeby Venus' because it was in the Morritt Collection at Rokeby Park, now in County Durham, before its acquisition by the Gallery.

Luis Egidio Meléndez

Luis Egidio Meléndez     1716-1780

 Bodegón con servicio de chocolate. 

Lienzo. 50 x 37 cm. 

Museo del Prado. Madrid

voir davantage de tableaux (ink)

Luis Egidio Meléndez

Luis Egidio Meléndez 1716-1780

 

 

 Bodegón: peras, melón, platos y barril,

pintura al óleo,1764

 Museo del Prado. Madrid

Luis Egidio Meléndez

Luis Egidio Meléndez ( Naples 1716-Madrid 1780 )

 Still Life with Lemons and Oranges

Naturaleza muerta con limones y naranjas

National Gallery de Londres

 A pile of lemons and oranges are piled in front of a melon, an earthenware jug, a basket, bottle and some round boxes (used for cheese). The seemingly casual array of homely objects are carefully arranged into a sophisticated and carefully thought out composition.

Meléndez has chosen a low vantage point, close to the objects so that we see the skill with which he has reproduced the different textures. The lemons, for instance, complete with lumps and knobbles, look real enough to pick up. One is about to roll off the table and fall at our feet.

Meléndez often used the same objects in his still lives. 'Still Life with Oranges and Walnuts' has a similar selection of simple foods and containers that would be found in any Spanish household.

Although he had started out as a student of figure painting, he was expelled from the Spanish Royal Academy in Madrid where he was studying following an argument between the Academy and his father. He became a miniature painter, and then specialised in still lifes, updating the austere tradition of Spanish still life painters from the previous century such as Zurbarán.

Los objetos fueron colocados para conseguir una composición de menor a mayor tamaño: así, se comienza por la exposición de los limones y las naranjas apiladas en un primer plano contra una jarra de barro y un melón que sobrepasa el la altura de la mencionada jarra.

Sebastian Stoskopff

Sebastian Stoskopff 1597-1657

Les cinq sens ou l'été 

 Sebastian (Sébastien) Stoskopff (Strasbourg, 1597-Idstein, 1657),
Corbeille de verres, 1644.
Huile sur toile, 52 x 63 cm, Strasbourg, Musée de l'Œuvre Notre-Dame.

Still-Life with Statuette and Shells

Musée du Louvre, Paris, France
Painting, Oil on wood, 52 x 73 cm 

gustave courbet quelques natures mortes

Gustave Courbet 


Quelques natures mortes

Luis Meléndez

Still Life with Melon and Pears

• about 1772

Luis Meléndez, Spanish, 1716–1780